Physical media was a cash cow for movie studios, who could sell a single film to the same consumer multiple times. Let’s say you loved The Lion King in a world before streaming: you might be paying Disney for a movie ticket, a VHS tape, a DVD, a Blu-ray, and now a 4K disc. That’s at least $100 of Lion King spending. Many films enjoyed active second lives on DVD and VHS, with hit titles grossing over $500M in additional revenue for Hollywood studios.
Source: The Rise, Fall, and (Slight) Rise of DVDs: A Statistical Analysis


According to Crabtree-Ireland, the real concern is that, even if videos generated by Seedance and other A.I. platforms “are not malicious in intent,” they could “really violate someone’s right to control how their image, their likeness and their voice is used.” The kind of material represented by the Cruise-Pitt battle, he said, “could not be produced by any of the signatories to our contracts — the studios, the streamers — without the specific, informed consent of those individuals.”
The deal establishes EVEN as a direct-to-fan resource for UMG, providing the major’s labels and artists with “turnkey” tools for engaging superfans through early access to music, exclusive content, and community features. The agreement will also allow UMG artists to offer physical music and merchandise through EVEN using UMG’s global D2C, vinyl, and merch infrastructure.



