The CMA hopes this will give publishers greater leverage in content deals with Google, by forcing the company to seek permission to use their intellectual property. The CMA will wait to see how its first wave of interventions pan out before it decides whether to act further. This announcement at least signals a direction of travel.
Source: What do UK watchdog’s new rules on Google AI results mean for publishers?
The company behind ChatGPT has no plans to share advertising revenue with publishers, OpenAI’s vice president of media partnerships has confirmed. Varun Shetty was asked at the WAN-IFRA World News Media Congress in Marseille on Tuesday whether they are considering a revenue share model on publisher content being surfaced next to adverts, which are being trialed on ChatGPT. Shetty responded: “Not at this point.”
Source: OpenAI not planning to share advertising revenue with publishers
Martin Scorsese, the living embodiment of cinema as high art and a conscience for modern Hollywood, on Tuesday threw his weight behind an A.I. start-up that specializes in image generation. In a statement and an accompanying video made in his New York City office, Mr. Scorsese discussed how he had used technology from Black Forest Labs, a fast-rising A.I. venture, during preproduction for a new film. Black Forest Labs said Scorsese had signed on last year as a partner and an adviser.
All authors are influenced – consciously or unconsciously – by what they have read or seen before. In fact, this has often been seen as one of the defining features of literary creation. Seneca the Younger argued that, just as bees make honey and wax from the pollen of flowers they leave behind, so writers should craft new works from the materials they encounter in their reading. As T.S. Eliot wryly put it, ‘immature poets imitate, mature poets steal. This being so, can we really draw such a line between literary borrowing and AI-powered appropriation?
Some have contended that AI may be having its Napster moment, when the music file-sharing software upended the economics and gatekeeping structures of the music industry in the late 90s by enabling millions of users to download and distribute copyrighted songs online. Now, generative AI is forcing book publishing into a long overdue reckoning over what counts as original human work and how the tech should be ethically deployed or disclosed at all stages of the book production pipeline.
Source: Book publishing’s AI panic is here. And nobody knows what to do about it
“Backrooms” is part of a growing wave of breakout films from fledgling directors who honed their instincts on YouTube rather than inside the Hollywood ecosystem. Two other creators with no Hollywood track record — Curry Barker and Mark Fischbach — have already turned online followings into surprise box-office hits this year. “It’s not an anomaly,” Stephen Galloway, the dean of Chapman University’s film school, said in a phone interview. “It’s the start of a gigantic shift. These are the cinematic insurgents of our era.”
In Spotify’s rapidly evolving quest to become the home of everything audio-related, the company announced on Tuesday that it’s bringing narrated long-form magazine articles to its app. The articles will be available to Premium subscribers as part of their 15 hours of audiobook listening time per month. Free users can opt to purchase stand-alone articles for $1.99.
Source: Spotify now lets you stream narrated magazine articles, too
A.I. has made it easier to quickly create audiobooks using synthetic narration. Because most antipiracy technology is designed to catch identical files, not altered ones, many of them avoid detection by programs used to identify copyright infringement. A.I. versions of highly anticipated titles often appear on YouTube hours after they are released.
Source: YouTube Is Crawling with Pirated Audiobooks Made Using A.I.
Spotify on Thursday announced it has partnered with Universal Music Group (UMG) to allow fans to use generative AI technology to create covers and remixes of their favorite songs. The tool will launch as a paid add-on available only to Spotify’s Premium subscribers and will offer a revenue share with participating artists for the AI-generated music based on their work.
Source: Spotify and Universal Music strike deal allowing fan-made AI covers and remixes
Spotify is aiming to boost the trust of podcast listeners — by extending its verification program to podcasts and affirming that using AI to “impersonate” another podcaster is not allowed. According to the company, Spotify’s policies have always prohibited unauthorized impersonation. Now it is reaffirming the policy in the context of AI to “help ensure creators remain in control of their identity and listeners can engage with content they know is real,” a company rep said.
Source: Spotify Officially Bans AI-Generated Podcasts That Impersonate Someone Else