Rights

AI Copyright Showdown: Can Hollywood Challenge AI While Using It?

The battle between Hollywood and generative artificial intelligence (AI) took an important procedural turn this month in one of the most closely watched AI copyright cases pending in the United States. While some headlines suggested that Disney and Universal were broadly ordered to disclose their own internal AI use, the actual discovery ruling is more nuanced. The court permitted only limited discovery into AI-related issues tied to market harm, while rejecting most of Midjourney’s broader requests regarding the studios’ internal AI development and use.

Source: AI Copyright Showdown: Can Hollywood Challenge AI While Using It?

Exceleration Music acquires catalog of Japan’s Ryuichi Sakamoto

Exceleration Music and Japanese rights company NexTone have acquired the recording and publishing catalog of Ryuichi Sakamoto, purchased directly from the late composer’s estate. Sakamoto, who died in 2023 at the age of 71, co-founded the electronic trio Yellow Magic Orchestra in 1978. He became the first Japanese composer to win an Academy Award, a Grammy and a Golden Globe, all for his score to the 1987 film The Last Emperor.

Source: Exceleration Music acquires catalog of Japan’s Ryuichi Sakamoto

Phonorecords V Settlement Proposal Emerges

The majors and the National Music Publishers’ Association (NMPA), along with the Nashville Songwriters Association International (NSAI), the Music Artists Coalition, and the American Association of Independent Music (A2IM), just recently informed the Copyright Royalty Board of their settlement. And according to their letter, the agreement is straightforward enough: The current Phono IV rates, also extending to ringtones, “should not be amended except for continuing inflation adjustments

Source: Phonorecords V Settlement Proposal Emerges

Judge denies Sony Music bid to add over 30,000 recordings to Udio lawsuit

A New York federal judge has denied Sony Music Entertainment‘s request to add 30,442 sound recordings to its copyright infringement lawsuit against AI music platform Udio. The ruling from Judge Alvin K. Hellerstein, keeps the case at the 333 works that remain in the case. Sony filed the motion on May 22 in the US District Court for the Southern District of New York, saying it had identified the additional recordings after gaining access to Udio‘s training data in discovery.

Source: Judge denies Sony Music bid to add over 30,000 recordings to Udio lawsuit

Australian Music Industry Demands Action Against Mass-Scale AI Training

A coalition of Australia’s leading music and creative organizations has united to issue an open letter demanding stronger copyright protections in the face of growing concerns over unauthorized AI training. The coalition includes APRA AMCOS, ARIA, The Copyright Agency, Australian Music Centre, National Aboriginal and Torres Strait Islander Music Office, Australian Publishers Association, Screenrights, Screen Producers Australia, AIR, and many more.

Source: Australian Music Industry Demands Action Against Mass-Scale AI Training

Gene Wilder’s Voice Resurrected by AI for Netflix’s Willy Wonka Competition Series

It’s an AI-fueled return to the Chocolate Factory. Netflix has partnered with the AI audio firm ElevenLabs to recreate the voice of actor Gene Wilder, who originated the character’s live-action look in 1971’s “Willy Wonka and the Chocolate Factory” and who died in 2016, for its new unscripted reality show “Wonka’s The Golden Ticket.” The AI recreation of Wilder’s voice was done in collaboration with Wilder’s estate, mirroring ElevenLabs’ recreations of contemporaries including Judy Garland and Burt Reynolds.

Source: Gene Wilder’s Voice Resurrected by AI for Netflix’s Willy Wonka Competition Series

The Ghost in the Machine Wants a Cut

For a hundred years the music business ran on scarcity. A small head of hits drove most of the revenue, and the engine was simple: protect the hits, ignore the rest. Streaming did not break that. It made the head bigger. Drake alone accounts for more of Spotify than the bottom fifty thousand artists combined. Generative music breaks it for real, but not in the way the doomsayers think.

Source: The Ghost in the Machine Wants a Cut

Backstreet Boys file to trademark their voices, joining Taylor Swift and Lionel Richie

The application, made with the US Patent and Trademark Office (USPTO) on June 24, covers the group saying: “Hi, we’re the Backstreet Boys.” It takes a page from Taylor Swift’s playbook, after the pop star applied to register her voice saying “Hey, it’s Taylor” in April. If the mark is granted, it would give the group an additional means of contesting AI-generated imitations of their voices online: content that has grown cheaper and easier to produce as the technology improves.

Source: Backstreet Boys file to trademark their voices, joining Taylor Swift and Lionel Richie

TIDAL cracks down on AI music by cutting off monetization

Music streaming service TIDAL is the latest to take aim at AI-generated music with the introduction of a new policy that will prevent fully AI-generated music from making money on its platform. In addition, TIDAL will use automated tools to remove AI-generated music that attempts to impersonate an artist or a group, the company said.

Source: TIDAL cracks down on AI music by cutting off monetization

Google accepts need for ‘new value exchange’ with publishers

Google has said it is exploring new “value exchange models” with publishers and accepted the need for independent regulation of AI. The tech giant’s paper, A Pragmatic Approach to AI Governance in America, has defended the use of publicly available online content for training AI models, but said it is “piloting novel ways to partner with websites whose content meaningfully contributes to the freshness and factuality of generative AI responses”.

Source: Google accepts need for ‘new value exchange’ with publishers

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