Policy

US senators revive bill to require AI-generated audio, video and images to carry labels

A bipartisan group of US senators has reintroduced legislation that would require AI-generated audio, video and images to carry disclosures identifying them as artificially generated. The AI Labeling Act of 2026 was introduced on Thursday (June 25) by Senators Brian Schatz (D-HI), John Curtis (R-UT) and Mark Warner (D-VA). Its backers include SAG-AFTRA, the Songwriters Guild of America, Music Creators North America and the Society of Composers and Lyricists.

Source: US senators revive bill to require AI-generated audio, video and images to carry labels

Australian Music Industry Demands Action Against Mass-Scale AI Training

A coalition of Australia’s leading music and creative organizations has united to issue an open letter demanding stronger copyright protections in the face of growing concerns over unauthorized AI training. The coalition includes APRA AMCOS, ARIA, The Copyright Agency, Australian Music Centre, National Aboriginal and Torres Strait Islander Music Office, Australian Publishers Association, Screenrights, Screen Producers Australia, AIR, and many more.

Source: Australian Music Industry Demands Action Against Mass-Scale AI Training

Google says AI training is fair use and copyright should be policed on outputs, not inputs

Now, in a new policy paper outlining the company’s preferred approach to AI regulation, Google has argued that training AI models on publicly available web data should “remain protected” by fair use in the US. The paper also says copyright concerns raised by generative AI are best addressed at the level of outputs, not inputs – whether a specific piece of content copies an existing work, rather than how a model was trained.

Source: Google says AI training is fair use and copyright should be policed on outputs, not inputs

Is Embedding Someone Else’s Image Copyright Infringement? Fifth Circuit May Finally Tell Us

The Copyright Act grants authors the exclusive right “to display the copyrighted work publicly,” and that right has proven remarkably resistant to resolution in the internet context. Courts across the country have been unable to agree on a deceptively simple question: when a website embeds an image that lives on someone else’s server, and that image appears on a visitor’s screen, who has displayed it?

Source: Is Embedding Someone Else’s Image Copyright Infringement? The Fifth Circuit May Finally Tell Us

Spotify wins dismissal of lawsuit claiming it allowed ‘billions’ of fraudulent Drake streams

A US federal judge has dismissed a proposed class action that accused Spotify of allowing billions of bot-generated fake streams to inflate the play counts of Drake and other artists. Judge Josephine Staton, of the US District Court for the Central District of California, granted Spotify‘s motion to dismiss on Monday (June 22). The case was brought by Eric Dwayne Collins, the rapper known as RBX, who claimed Spotify‘s failure to curb “mass-scale fraudulent streaming” had stripped royalties from other rights holders.

Source: Spotify wins dismissal of lawsuit claiming it allowed ‘billions’ of fraudulent Drake streams

Amended Complaint Filed in Taylor Swift Trademark Case

The amended complaint names four defendants: Swift; her rights-management company, TAS Rights Management; UMG Recordings; and UMG‘s merchandise arm, Bravado International Group Merchandising Services. It assigns each a separate role, stating that Swift selected, approved, and promoted the designation, that TAS owns and licenses it, that UMG distributes the recordings and related goods, and that Bravado designs, manufactures, and sells the merchandise.

Source: Amended Complaint Filed in Taylor Swift Trademark Case

The EU’s AI Transparency Code of Practice, Explained

In June, the European Commission published the final version of the Code of Practice on Transparency of AI-Generated Content (Code). Its release nearly completes the largest part of the Commission’s broader effort to develop supporting documents aimed at facilitating compliance with the transparency obligations under Article 50 of the AI Act before those obligations take effect. The Code was developed by independent experts in a multi-stakeholder process coordinated by the AI Office.

Source: The EU’s AI Transparency Code of Practice, Explained

New Lawsuit Accuses Spotify of ‘Undisclosed Filtering Practices’ to Boost Majors Over Indies

Mark Kratter, who appears to release music as part of a namesake band, submitted the concise complaint to the Stamford Superior Court. Off the bat, the action reads like a recap of well-established facts concerning Spotify’s far-from-ideal royalty realities. However, the suit, alleging violations of the Connecticut Unfair Trade Practices Act and more, doesn’t solely retread already-covered angles.

Source: New Lawsuit Accuses Spotify of ‘Undisclosed Filtering Practices’ to Boost Majors Over Indies

UK news industry backs law to stop deceptive AI scraping

A proposed UK law is being drafted to stop companies deploying AI bots from using deceptive tactics to scrape websites. The Automated Online Software (Access and Transparency) Bill is unlikely to become law, unless it secures backing from the Government, but it has the support of publishers and could well help shape other legislation. The move follows New York state passing the Stealth Crawler Preservation Act.

Source: UK news industry backs law to stop deceptive AI scraping

Japan passes copyright reform giving performers royalties when recordings play in public

The country’s parliament enacted a revised Copyright Act on Wednesday (June 17), introducing what the government calls the record performance and communication right. Until now, only songwriters, composers, and music publishers were paid when commercially released music was played as background music in Japanese venues. The performers and the labels behind those recordings received nothing for the public plays, at home or overseas.

Source: Japan passes copyright reform giving performers royalties when recordings play in public

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