While the use of various digital technologies has drained away many readers, the survey found that 60% of U.S. consumers would like to read more books, and a similar percentage reported that they devote their full attention to reading when they open a book. In both instances, book reading was the only media activity that garnered such a favorable response from the majority of consumers.
Source: New Report Urges Publishers to Capitalize on Hidden Strengths


As machine-made books flood online marketplaces, a new UK initiative is introducing an Organic Literature stamp to help readers identify books created by real authors. The scheme will involve Organic Literature stamps being placed on books written by humans, with only limited AI use permitted for tasks such as formatting or idea generation.

For years, the narrative has been that movies, in contrast to TV series, were in decline. But there’s new data that paints a different picture. Streaming services are, in fact, relying more than ever on films to keep their growth engines humming. A Parrot Analytics analysis of thousands of titles across Amazon Prime Video, Disney+, Netflix, and Max finds that movies deliver disproportionately high engagement relative to the volume of content hours they represent.
New research from BrightEdge offers insights into how Google’s AI Overviews ranks websites across different verticals, with implications for what SEOs and publishers should be focusing on. The data shows that 54% of the AI Overviews citations matched the web pages ranked in the organic search results. This means that 46% of citations do not overlap with organic search results. Could this be an artifact of Google’s FastSearch algorithm?
SAG-AFTRA has issued a statement condemning Tilly Norwood, the AI “actress” who has become a contentious subject in Hollywood after her creator, Eline Van der Velden, recently claimed that multiple talent agents were interested in signing the AI creation. “To be clear, ‘Tilly Norwood’ is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers — without permission or compensation,” SAG-AFTRA wrote in a statement.