Marketplace

Spotify and Merlin ink multi-year global licensing deal

Independent music licensing group Merlin and Spotify have renewed their global, multi-year licensing partnership. According to the companies, the agreement, announced on Tuesday (September 30), “reinforces the vital role of independent music on Spotify and provides Merlin members continued access to a platform that reaches fans worldwide”.

Source: Spotify and Merlin ink multi-year global licensing deal

Epidemic Sound’s Bold AI Bet, Helping Creators And Paying Artists More

Rather than generate new songs, Adapt lets users reshape tracks in Epidemic’s catalog of 50,000 tracks and 200,000 sound effects —adjusting length, tempo, structure, or instrumentation with a few clicks. “It’s quite common you find a track you like, but then making it perfect for your story takes hours,” Höglund said. “The idea behind Adapt was to put those tools in the hands of creators so they can make those decisions immediately.”

Source: Epidemic Sound’s Bold AI Bet, Helping Creators And Paying Artists More

Spotify has deleted 75m+ ‘spammy tracks’ – as it unveils new AI music policies

The figure was disclosed during a press briefing where executives outlined a three-pronged approach to combat AI-enabled fraud while supporting legitimate artistic use of artificial intelligence tools. “In the past 12 months alone, a period marked by the explosion of generative AI tools, we’ve removed over 75 million spammy tracks from Spotify,” the company confirmed in its official blog post announcing the measures.

Source: Spotify has deleted 75m+ ‘spammy tracks’ – as it unveils new AI music policies

Spotify to label AI music, filter spam and more in AI policy change 

Spotify on Thursday announced a series of updates to its AI policy, designed to better indicate when AI is being used to make music, to cut down on spam, and to make it clearer that unauthorized voice clones are not permitted on its service. The company says it will adopt an industry standard for identifying and labeling AI music in credits, known as DDEX, and will soon roll out a new music spam filter to catch more bad actors.

Source: Spotify to label AI music, filter spam and more in AI policy change | TechCrunch

Microsoft looks to build AI marketplace for publishers

Microsoft is in talks with select U.S. publishers about a pilot program to help launch a two-sided marketplace that would compensate publishers for their content used by AI products, starting with its Copilot assistant. Microsoft would become the first major tech company to build an AI marketplace for publishers, a milestone in building a sustainable business model for content companies in the AI era.

Source: Microsoft looks to build AI marketplace for publishers

AI-backed robot painting aims to boost artist income

Montreal-based artist Audrey-Eve Goulet was initially uncertain as she watched an AI-powered robotic arm reproduce one of her works, but said the outcome was “really impressive.” Goulet had agreed to work with Acrylic Robotics, a Montreal-based company that says it aims to help artists earn a living by making high-quality replicas of their work, with their consent.

Source: AI-backed robot painting aims to boost artist income

Once Again, Taylor Swift Heads to A Theater Near You

Taylor Swift is teaming up with AMC Theaters to host release parties across the United States for her latest album. The release party events will take place from October 3 to October 5 across thousands of screens in the United States and across the world. The official release party will play at all 540 AMC Theatres across the United States and additional circuits like Cinemark and Regal, as well as Cineplex in Canada, Cinepolis and Cinemex in Mexico, and various international partners.

Source: Once Again, Taylor Swift Heads to A Theater Near You

Why The Economist isn’t doing AI deals but has launched on Substack

Many publishers have done deals around the use of their content with ChatGPT owner OpenAI. However The Economist has not signed with OpenAI or any of its competitors. Bradley-Jones explained: “I think we see those products as publishing platforms. That’s fundamentally what they’re trying to create. And why would you license your content in any meaningful volume to a competitor platform?”

Source: Why The Economist isn’t doing AI deals but has launched on Substack

Google is a ‘bad actor’ says People CEO, accusing the company of stealing content

Neil Vogel, CEO of People, Inc. (formerly Dotdash Meredith), a publisher that operates over 40 brands, including People, Food & Wine, Travel + Leisure, Better Homes & Gardens, Real Simple, Southern Living, Allrecipes, and others, said that Google is not playing fair because it uses the same bot to crawl websites to index them for the Google search engine as it does to support its AI features.

Source: Google is a ‘bad actor’ says People CEO, accusing the company of stealing content | TechCrunch

Nearly a third of all tracks uploaded to Deezer are now fully AI-generated, says platform

Fully AI-generated music now constitutes 28% of all tracks delivered to Deezer each day, according to new data from the French streaming service. Deezer says it now receives over 30,000fully AI-generated tracks daily, marking a sharp increase from the 20,000 figure it reported in April and the 10,000 it disclosed in January when it first launched its proprietary AI detection tool.

Source: Nearly a third of all tracks uploaded to Deezer are now fully AI-generated, says platform

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