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Already, we are seeing the use of AI, with all its negative ramifications for writers, painters, photographers, and musicians, being endorsed because it means that ‘everyone can be an artist’, or, as ACE would have it, a ‘creative practitioner’. This is likely to converge in future with another recent intellectual position, which contends that meritocracy – hitherto regarded as the only way of championing fairness – is itself unfair.

Source: AI against the arts

The most notable differences in AI strategies are between the major labels and independents. While the majors are working to find solutions that allow for responsible Gen AI use and drive new licensing revenue, many independent artists and smaller labels are firmly against any use of Gen AI in music.  However, there are divides even within these factions.

Source: The music industry remains divided on generative AI. Where will that leave us?

OpenAI is planning to enter the generative AI music space, according to a report at The Information, which says the company is working on a tool that can create music from text or audio prompts. That would bring OpenAI into an increasingly crowded field of AI music generation platforms, which include Suno and Udio – notorious within the music industry for having been sued by the record majors for alleged widespread copyright infringement in training its AI.

Source: OpenAI, valued at $500bn, reportedly working on generative AI music tool

Research points to a generally corrosive impact of AI answer engines on the news ecosystem, getting answers wrong and undermining trust. It found that the likes of Perplexity and Google AI Overviews are stealing publisher traffic but also contributing to declining trust in the news industry by giving distorted answers. The research concludes: “If AI assistants are not yet a reliable way to access the news, but many consumers trust them to be accurate, we have a problem.”

Source: AI companies steal publisher traffic then undermine trust by getting answers wrong