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The Fastest-Growing Format in Publishing: Audiobooks 

Audible has been making audiobooks more visible to potential customers. It is providing audio clips for Amazon.com as well as Amazon’s book-recommendation site, Goodreads. Amazon also is more prominently featuring Audible’s Whispersync for Voice option, which allows e-book readers to toggle back and forth between an e-book and a discounted audiobook version. (Using this technology, someone could, for example, read a few chapters on the train home and then switch on the audiobook while cooking dinner.)

Whispersync sales were up nearly 60% in 2015 compared with the previous year—a reflection of both its increased visibility and an uptick in available titles to around 100,000, according to Audible.

Source: The Fastest-Growing Format in Publishing: Audiobooks – WSJ

Nettwerk sells 30-year-old publishing catalogue to Kobalt investment fund 

More than 18,000 songs developed and acquired by Nettwerk’s publishing division over the past 30 years have been bought by Kobalt Music Copyrights (KMC), MBW can reveal.

KMC is an independent investment fund established in 2011. It is advised and managed by Kobalt Capital Ltd – but operates as a separate entity to Kobalt Music Group. The vast majority of copyrights owned by Nettwerk’s publishing company will now switch to KMC, and be administered by Kobalt.

Source: Nettwerk sells 30-year-old publishing catalogue to Kobalt investment fund – Music Business Worldwide

DMCA Showdown at the Library of Congress 

The Electronic Frontier Foundation on Thursday filed a lawsuit in U.S. District Court in Washington, DC, challenging Sections 1201, 1203, and 1204 of the Digital Millennium Copyright Act, known as the “anti-circumvention provisions,” on constitutional grounds.

That, in itself, is not particularly surprising. EFF served as pro bono counsel to Eric Corley in one of the first major cases to test Section 1201 in court and has been an outspoken critic of the law since it was enacted in 1998. What makes this week’s filing notable is its timing and EFF’s apparent strategy.

Section 1201 broadly prohibits the circumvention of DRM (“technical protection measures,” or TPMs in the language of the statute) used to protect access to copyrighted works (Section 1203 prohibits “trafficking” in anti-circumvention technologies and Section 1204 provides for criminal penalties for violating Section 1201). In its lawsuit, filed on behalf of a computer security researcher and a technology inventor and entrepreneur, EFF claims the three provisions violate the First Amendment because they prevent people from engaging in what would otherwise be protected speech under the fair use doctrine in copyright law — an argument raised many times before.

But the complaint also takes direct aim at the law’s triennial rulemaking procedures by which members of the public are allowed to apply to the Library of Congress for an exemption to the anti-circumvention rules for specific purposes. The complaint declares the rulemaking itself “an unconstitutional speech-licensing regime.”

Source: DMCA Showdown at the Library of Congress | Concurrent Media

EY Startup Challenge To Focus on Building Blockchain Solutions 

The EY Startup Challenge is returning with a focus on building Blockchain solutions for two key industry challenges, digital rights management and energy trading. The EY Startup Challenge is a mentorship-driven programme designed to unlock new solutions, helping accelerate the product and business development of disruptive technology startups.

Today’s media world is characterized by more content, in more formats, being consumed on an ever-changing mix of platforms. Media companies are looking to improve their investments in content, make better use of their current assets and better assess risks.

Source: EY Startup Challenge To Focus on Building Blockchain Solutions – Blockchain News

America’s broken digital copyright law is about to be challenged in court

The Electronic Frontier Foundation (EFF) filed a lawsuit on Thursday that American copyright wonks, technologists and security researchers have been hotly awaiting for nearly 20 years.

EFF is suing the US government, arguing that section 1201 of the DMCA is unconstitutional, and also that the Library of Congress and the copyright office have failed to perform their duties in the three-year DMCA 1201 exemption hearings.

Source: America’s broken digital copyright law is about to be challenged in court | Technology | The Guardian

Canadian Music Rights Company Acquires Royalty Collection Startup 

Audiam, a company that collects missing streaming royalties for songwriters such as Bob Dylan, James Taylor and Metallica, has been acquired by a Canadian performing rights group.

The Society of Composers, Authors and Music Publishers of Canada, whose clients include star acts from R&B’s the Weeknd to rock band Nickelback, bought Audiam as part of its effort to more efficiently identify its clients’ compositions when they are played on digital services such as Spotify AB, Apple Inc.’s Apple Music, Pandora Media Inc. and Alphabet Inc.’s YouTube—and to pay them for all such instances.

Source: Canadian Music Rights Company Acquires Royalty Collection Startup – WSJ

5 Questions With PluraVida’s Sam Gilchrist 

PluraVida is an emerging company at the forefront of the RightsTech movement for digital content distributors, focused on the need for more accurate rights and ownership tracking and payments administration. After two decades in the industry, CEO and founder Sam Gilchrist sought to fill that need with the launch of PluraVida in 2014.

In the complex ecosystem of partners and channels that digital media companies operate in, PluraVida provides platforms that allow content creators and distributors to manage things like analytics, data, and revenue settlement. In the world of movies, video, music and video games, PluraVida plays a critical role in tracking rights and ensuring fair payment to artists and rights owners.

Prior to founding PluraVida, Gilchrist was President of Tradescape, and before that, he was Chief Information Officer at The Harry Fox Agency, and held leadership positions at SoundExchange and British Telecom. Digital Media Wire had the chance to ask Sam some questions about PluraVida and about his inspirations and goals as a company founder. Check out the interview below.

Source: 5 Questions With PluraVida’s Sam Gilchrist – Digital Media Wire

OPINION: Blockchain really only does one thing well

No new technology since the dawn of the internet has captured the imagination like blockchain. Designed to run unregulated electronic currency, the blockchain is promoted by many as having far broader potential in government, identity, voting, corporate administration and healthcare, to name just some of the proposed use cases. But these grand designs misunderstand what blockchain actually does.

Blockchain is certainly important and valuable, as an inspiration for brand new internet protocols and infrastructure. But it’s a lot like the Wright Brothers’ Flyer, the first powered aeroplane. It’s wondrous but impractical.

Source: OPINION: Blockchain really only does one thing well

So… do new artists really need to sign to a record label? 

Kobalt boss Willard Ahdritz has never been shy about proclaiming his company’s model – that of artists and writers holding onto their own copyrights – as the future of the music business.

Now a new film from The Economist delves into the pros and cons of musicians disregarding the traditional label deal – ie. receiving advance money in exchange for a lifelong portion of their royalties.

Source: So… do new artists really need to sign to a record label? – Music Business Worldwide

Music-Subscription Service Deezer Enters Crowded U.S. Field

French music-streaming service Deezer is launching to the masses in the U.S. this week, stiffening the competition in an already-crowded market.

Deezer, which had about 6 million subscribers world-wide, already has some users in the U.S., where it has been available only to AT&T Inc.’s Cricket Wireless customers or on Sonos and Bose speaker systems. Starting Tuesday, the 9-year-old service will be available for $10 a month to all U.S. consumers after 30-day free trials.

Source: Music-Subscription Service Deezer Enters Crowded U.S. Field – WSJ

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