The new product ,named the Google Clip, resembles a tiny camera, except for the fact that, instead of users taking photos, an AI program in the Clip uses machine learning to judge when “interesting moments” happen in its field of view, based on factors such as the appearance of faces it recognises, at which point it will automatically take a photo.
According to an anonymous reader, Microsoft Groove has blocked all new releases from distributors, at least without full mechanical licensing. Since January 2016, to have a new release streamed, you have to register them through Music Reports Inc.
Following the successful trial in Kenya, the software giant, Microsoft handed over the source code for an online intellectual property (IP) registration system to IP authorities across Africa, including the Kenya Copyright Board (KECOBO). The online registration system replaces the traditional manual process of submitting paper-based forms, making the registration of IP fast, accessible and more efficient
As the Internet expands into new realms of physical space through the Internet of Things, the price of anarchy will become a crucial metric in our society, and the temptation to eliminate it with the power of big data analytics will grow stronger.Examples of this abound. Consider the familiar act of buying a book online through Amazon. Amazon has a mountain of information about all of its users – from their profiles to their search histories to the sentences they highlight in e-books – which it uses to predict what they might want to buy next. As in all forms of centralized artificial intelligence, past patterns are used to forecast future ones. Amazon can look at the last ten books you purchased and, with increasing accuracy, suggest what you might want to read next.
But here we should consider what is lost when we reduce the level of anarchy. The most meaningful book you should read after those previous ten is not one that fits neatly into an established pattern, but rather one that surprises or challenges you to look at the world in a different way.
Now that it has a paid subscription option like Spotify and more recent entrants like Apple Music and TIDAL do, it’s logical to assume YouTube will begin to generate more revenue for the music industry, based on the charts and figures cited above. YouTube’s chief business officer believes so, too; in an interview with the Financial Times, Robert Kyncl mentions YouTube Red as a new source of revenue for disgruntled rights holders who feel like they haven’t received a fair shake.
But in talking to individuals inside the music industry, including those who work on behalf of major labels and independents alike, their outlook for YouTube Red is far less optimistic.
Previously, Blockai users would go to the startup’s website to upload their work, creating a record in a public database (namely, the blockchain) stating that they’re the creator. However, CEO Nathan Lands said, “We don’t imagine artists are sitting on Blockai all day,” so it’s also trying to integrate with other tools, starting with Twitter.
After nearly 50 years of promoting and selling ISBNs and prefixes to publishers in the UK & Ireland via a manual process, Nielsen has launched an online store that enables publishers and self-published authors to go to one site and purchase ISBNs, Book2Look widgets and a subscription to their BookData Enhanced service, enabling publishers to enrich their title records.
Publishers and self-published authors can purchase these services 24/7 enabling them to work and shop at their convenience. The Nielsen ISBN Agency for UK & Ireland still offers publishers the opportunity to talk to an adviser.
Source: Nielsen ISBN Store a Hit
The Copyright Royalty Board (CRB) is currently fielding proposals from stakeholders around a new rate-setting process that will cover 2018-22, a process that is causing high drama in the music industry as stakeholders debate publicly over each others’ proposals.
The highest-profile of these disagreements stems from the National Music Publishers’ Assn. (NMPA) and the Nashville Songwriters Assn. International (NSAI), which have jointly criticized Sony Music Entertainment for its participation in the rate-setting process. Essentially, publishers and songwriters are on one side, and on-demand (or “interactive”) digital music services like Spotify are on the other.
Sydney startup Veredictum has launched a blockchain-based manuscript protection platform, aiming to shield creatives from having their ideas stolen before they sign on the dotted line.
Tim Lea, CEO of Veredictum, set out to create a script distribution model utilising a technology that he claims has not been used in the space previously. When designing the platform, Lea was eager to utilise blockchain technology, noting the industry has pockets of problems that blockchain presents the right solution to.