The track, credited to Haven (the project of producer Harrison Walker), went viral on TikTok in October and was on course to chart in both the UK and US before being removed from streaming services following takedown notices alleging artist impersonation. In a statement published via Instagram, FAMM alleged that Walker “used AI to make his voice sound like Jorja’s and had used Jorja’s name (without permission) suggesting to the public that it was actually Jorja singing.”
AI music creates unease as it tops the charts
In a recent study by the streaming platform Deezer and market research company Ipsos, 97% of respondents could not tell the difference between music tracks made entirely by artificial intelligence and those made by humans. At first glance, it might seem that listeners are welcoming AI-generated music with open arms and ears. But the truth is muddier. The same Deezer study found that 52% of respondents were uncomfortable about not being able to tell the difference between human and AI music.
News Corp Launches Downloadable Copyright License Agreement
News Corp Australia has launched a licence agreement to give corporate Australia new confidence to download, share and copy content from across the publisher’s professional and extensive news, information and entertainment network, helping reduce the legal and financial risk copyright infringement poses. Importantly, given the rise of artificial intelligence, the licence also caters for copyrighted content to be used as a prompt in AI tools as well as delivering predictable value and ease of compliance.
Source: News Corp Launches Downloadable Copyright Licence Agreement – Content + Technology
Spotify acquires music database WhoSampled
WhoSampled offers an extensive database of songs, samples, covers, remixes, artists, and more. According to its website, it’s now tracking more than 1.2 million songs and nearly 622,000 samples. That data is powering Spotify’s latest features, like its upcoming music discovery tool SongDNA. However, WhoSampled was known to Spotify for some time, as it had partnered with the streamer back in 2016 to allow its users to access their Spotify playlists and saved tracks in its app
Source: Spotify acquires music database WhoSampled | TechCrunch
Piracy Dispute Between Universal Music and Cloudflare Reaches EU’s Highest Court
A legal battle that began over a Sarah Connor album posted on a German pirate site has escalated into a landmark case that will shape EU copyright law. The lawsuit between Universal Music and Cloudflare has reached the highest German court, which recently asked the EU’s top court to step in. At stake is the legal definition of “temporary caching” and whether CDNs face the same liability risks as content platforms.
Xposure Music secures $42.5m in fresh capital for indie catalog acquisitions
Founded in Montreal in 2021, Xposure Music is described as a “technology-driven financing and investment platform for independent music rights”. Xposure Music says on its website that it has deployed funding to nearly 100 artists in the past 18 months, and that with this new infusion of capital, the company plans to “scale its efforts, funding additional artists and acquiring catalogs at a larger volume”.
Source: Xposure Music secures $42.5m in fresh capital for indie catalog acquisitions
ECSA warns majors off ‘undervaluing song rights’ in AI deals
The latest industry entity to have its say on the recent spate of major-label deals with AI-music companies is ECSA. “So far, both UMG and WMG have underlined that their recently announced agreements with Udio and Suno – which appear to cover both rights over the recording as well as the song rights – will empower and protect artists and songwriters, but provided very little detail about the involvement, consent and remuneration of music authors and artists,” The European Composer and Songwriter Alliance said.
Source: ECSA warns majors off ‘undervaluing song rights’ in AI deals
How Forbes CEO Sherry Phillips is responding to Google challenge
Visits to Forbes.com were down 59% year on year and 4% month on month in October to 75.4 million visits, according to Similarweb. Phillips attributed the traffic decline to the rollout of Google’s AI Overviews in 2024, providing lengthy answers at the top of many types of search results (especially for evergreen content) meaning users may not feel the need to click through to the original source. “We’re losing that attribution of, you know, who’s the richest person in the world, according to Forbes, it’s Elon Musk.
Source: Interview: How Forbes CEO Sherry Phillips is responding to Google challenge
AI has helped break news ecosystem, but could also fix it – says agency boss
For the last decade, Leidig has been building NewsX, a Community Interest Company. “In the agency world, if you do the editorial work and someone uses it, you get paid. It’s that simple. Social media platforms broke that when they started monetising what they don’t produce.” NewsX is designed to reconnect that chain by documenting editorial labour, validating it, tracking and charging for usage.
Source: AI has helped break news ecosystem, but could also fix it – says agency boss
WMG CEO vows to ‘legislate, litigate, license’ in the era of AI music creation
In a blog post published late Wednesday (November 19), Kyncl outlined WMG’s approach to generative AI partnerships, emphasizing that the major label will only work with companies that commit to licensed models, properly value music economically, and give artists control over the use of their name, image, likeness, and voice. The timing of Kyncl’s message is particularly significant.