The UK’s new culture secretary Lisa Nandy gave a speech at the Beyond the Music conference in Manchester with some hints on its music plans. That included a nod to the debates about streaming. “While it’s made music more freely available, it’s created shockwaves for songwriters, publishers, record labels and streaming platforms,” said Nandy.
Source: UK’s culture secretary talks streaming economy and AI music
There are many reasons for the delay. AI is a complicated landscape where regulations and legal questions surrounding the technology are still evolving. Plus, there’s some skepticism over whether audiences would accept films made primarily with AI tools. There are questions over how studio libraries should be valued for AI purposes and concerns about protecting intellectual property.
Source: AI is supposed to be Hollywood’s next big thing. What’s taking so long?
The New York Times has sent generative AI startup Perplexity, backed by Jeff Bezos and YouTube’s ex-chief executive, a cease and desist for copying its articles and using them to create summaries of articles. The publisher says the practice constitutes “egregious and ongoing violations” of its intellectual property rights since the answers are “substitutive of our protected works.”
For some time it has been clear that generative AI can be used to create highly-personalised information services; the technology is really good at selecting and synthesising content from a large dataset, based on a set of parameters. But this is the first time these capabilities have been deployed in a news context by a major AI developer, with financials attached for the content creators.
Source: Why Microsoft Copilot Daily launch is ‘moment of significance’ for news industry
Classic hip-hop group 2 Live Crew have won a jury verdict allowing them to regain legal control of the majority of their catalog from a small record label that has owned their copyrights for decades. Attorneys for Lil Joe Records, which bought the band’s catalog out of bankruptcy back in 1996, insisted that termination shouldn’t apply to 2 Live Crew’s albums, arguing the catalog was “work for hire.” But 2 Live Crew’s attorneys countered that the right to terminate was “inalienable” and couldn’t be forfeited, with which the jury agreed.
Source: 2 Live Crew Wins Back Copyright Control of Their Work
The implementation of the EU’s AI Act is the most recent in a series of laws emanating from Brussels that have divided opinion, hot on the heels of the General Data Protection Regulation (GDPR) and the Digital Markets Act (DMA) which came into force in 2018 and 2023 respectively. Yes, the act undoubtedly has flaws, but its pros far outweigh its cons.
Source: AI regulation gets a bad rap—but lawmakers around the world are doing a decent job so far
Some of the most prominent artificial intelligence models are falling short of European regulations in key areas such as cybersecurity resilience and discriminatory output, according to data seen by Reuters. A new tool, which has been welcomed by European Union officials, has tested generative AI models developed by big tech companies like Meta tab and OpenAI across dozens of categories, in line with the bloc’s wide-sweeping AI Act, which is coming into effect in stages over the next two years.
Source: EU AI Act checker reveals Big Tech’s compliance pitfalls
French President Emmanuel Macron has reignited the debate on music streaming payments, expressing concerns about the fairness of the current model for artists. “Today, with music streaming services, singers do not receive fair remuneration,” Emmanuel Macron said. “In the case of streaming, they decide to pay people who are streamed a lot very well. But in the music field, for instance, they undervalue a variety of artists who have average following.”
Source: Macron calls for fairer music streaming model after France imposes ‘music streaming tax’
Spotify is taking the next step in its effort to become a video platform, announcing on Tuesday (October 15) that it’s expanding music video streaming to 85 new markets. Spotify didn’t specify which countries or regions are included in the rollout, but noted that the new offer is available only to Premium subscribers, and comes with “a limited catalog of music videos.” The US is not on the list of new markets, the Verge reports.
Pink Floyd’s music rights sale has had plenty of twists and turns, like a screenplay stuck in development hell. But the legendary English rock band has agreed to sell its recorded music, name, image, and likeness to Sony Music for $400 million. But it’s rare to see a deal that large that doesn’t include publishing rights. Instead, this Pink Floyd deal should be looked at as a pure streaming revenue play given its focus on recorded music.
Source: Pink Floyd’s Complicated $400 Million Music Rights Sale to Sony