Th
e indie music community has embraced Bandcamp and its suite of direct to fan monetization tools. And unlike most music tech startups, Bandcamp, which launched in 2008, has been profitable “in the now-quaint revenues-exceed-expenses sense” since 2012.
Nearly 6 million fans have bought music from hundreds of thousands of artists through Bandcamp. Have of those fans are under 30, according to the company. That’s signification at a time when consumption by younger music lovers is supposedly dominated by streaming.
Source: Bandcamp Grew 35% Last Year, Monthly Transactions Top $4.3M – hypebot




ce the demise of the long-running-but-never-launched Global Repertoire Database (GRD) there has been a lot of debate over what comes next for digital rights reporting. The songwriter class action suits in the US against Spotify are the natural outcome of more than one and a half decades of failing to deal with the forsaken mess that is compositional rights in the digital era.
Revelator has developed a data management platform, with a dashboard to monitor individual or multiple tracks and artist playlist performance over time and across countries and cities.
Virtual-currency trading startup ANX International is opening up its know-how so that people can issue their own digital assets using blockchain, the underlying technology behind bitcoin, the digital money that has become a popular method of paying for goods and services and trading over the Internet.