Everything ever said on the internet was just the start of teaching artificial intelligence about humanity. Tech companies are now tapping into an older repository of knowledge: the library stacks. Nearly one million books published as early as the 15th century — and in 254 languages — are part of a Harvard University collection being released to AI researchers Thursday. Also coming soon are troves of old newspapers and government documents held by Boston’s public library.
Source: AI chatbots need more books to learn from. These libraries are opening their stacks
The AI armageddon is here for online news publishers. Chatbots are replacing Google searches, eliminating the need to click on blue links and tanking referrals to news sites. As a result, traffic that publishers relied on for years is plummeting. Traffic from organic search to HuffPost’s desktop and mobile websites fell by just over half in the past three years, and by nearly that much at the Washington Post, according to digital market data firm Similarweb.
Fraudsters are flooding Spotify, Apple Music and the rest with AI-generated tracks, to try and hoover up the royalties generated by people listening to them. These tracks are cheap, quick and easy to make, with Deezer estimating in April that over 20,000 fully AI-created tracks – that’s 18% of new tracks – were being ingested into its platform daily, almost double the number in January.
Before the proliferation of A.I. music generators, before the emergence of Spotify and the advent of the iPod, before Brian Eno had even coined the term “generative music,” Mr. Cope had already figured out how to program a computer to write classical music. It was 1981 and, struggling with writer’s block after being commissioned to compose an opera, he was desperate for a compositional partner. He found one in a floppy disk.
