Independent songwriters and composers have heard this song before; Bloomberg reports that major multi-national record labels are engaged in closed-door meetings with yet another group of tech companies over AI negotiations and copyright infringement liability. Unsurprisingly, independent music creators may as well be invisible in these discussions.
Source: Indie Songwriters Bristling Over Major Label AI Negotiations
The AI armageddon is here for online news publishers. Chatbots are replacing Google searches, eliminating the need to click on blue links and tanking referrals to news sites. As a result, traffic that publishers relied on for years is plummeting. Traffic from organic search to HuffPost’s desktop and mobile websites fell by just over half in the past three years, and by nearly that much at the Washington Post, according to digital market data firm Similarweb.
Fraudsters are flooding Spotify, Apple Music and the rest with AI-generated tracks, to try and hoover up the royalties generated by people listening to them. These tracks are cheap, quick and easy to make, with Deezer estimating in April that over 20,000 fully AI-created tracks – that’s 18% of new tracks – were being ingested into its platform daily, almost double the number in January.
Before the proliferation of A.I. music generators, before the emergence of Spotify and the advent of the iPod, before Brian Eno had even coined the term “generative music,” Mr. Cope had already figured out how to program a computer to write classical music. It was 1981 and, struggling with writer’s block after being commissioned to compose an opera, he was desperate for a compositional partner. He found one in a floppy disk.


