featured

RightsTech Returns to DEW

The RightsTech Project will host a full, two-day track of panels, keynotes, and presentations again this year at the Digital Entertainment World expo in Los Angeles on February 4-5 at the Marina Del Rey Marriott.

As always, RightsTech will bring together our unique mix of creators, entrepreneurs, technology developers, and rights owners from all sectors of the media world to discuss and debate technology-enabled solutions to the common challenges of managing and monetizing rights in the digital era.

Topics on the agenda for this year include:

  • The Future of Rights and Royalties
  • What’s Next for the Music Modernization Act?
  • Tools for DIY Artists
  • Blockchain Goes to the Movies
  • Managing Rights at Enterprise Scale
  • Metadata Standards and Management
  • Bringing Transparency to Royalties and Residuals
  •   … and more

RightsTech@DEW kicks off an expanded slate of conferences for 2019, which will also include the first RightsTech: Europe conference in Frankfurt, Germany April 9-10, and the annual fall RightsTech Summit in New York.

Click here for information on how to register for Digital Entertainment World.

For speaking and sponsorship opportunities contact Paul Sweeting at paul@concurrentmedia.com.

For general inquiries regarding DEW, or information on other conference tracks, contact Tinzar Sherman at tinzar@digitalmediawire.com.

 

YouTube’s Susan Wojcicki tells artists: Article 13 poses ‘a threat to your livelihood’

The company wants to weigh in on how the legislation is worded to protect its interests, and those of the larger creator community. Wojcicki said YouTube is committed to working with the industry to find a better way to respect the rights of copyright holders, before the language in the EU legislation is finalized by year-end. Wojcicki urged creators and the wider YouTube community to rally against the legislation on social media, using the hashtag #SaveYourInternet.

Source: YouTube’s Susan Wojcicki tells artists: Article 13 poses ‘a threat to your livelihood’

Sony Has Plans for Blockchain, But How Big?

Sony Corporation, along with Sony Music Japan and Sony Global Education, this week issued an intriguing but rather vague press release announcing the development of “a rights management system for digital content that utilizes blockchain technology.”

According to the release, the new systems “is based on Sony and Sony Global Education’s previously developed system for authenticating, sharing, and rights management of educational data,” that Sony developed last year using IBM’s blockchain platform. The latest version, however, includes additional “features functionality (sic) for processing rights-related information.”

That last part appears to point to a system that could accommodate user-generated, or at least third-party content not created or owned by Sony, as the release kinda, sorta spells out:

Today, advances in technologies for digital content creation allow anyone to broadcast and share content, but the rights management of that content is still carried out conventionally by industry organizations or the creators themselves, necessitating a more efficient way of managing and demonstrating ownership of copyright-related information for written works. This newly-developed system is specialized for managing rights-related information of written works, with features for demonstrating the date and time that electronic data was created, leveraging the properties of blockchains to record verifiable information in a difficult to falsify way, and identifying previously recorded works, allowing participants to share and verify when a piece of electronic data was created and by whom. In addition to the creation of electronic data, booting up this system will automatically verify the rights generation of a piece of written works, which has conventionally proven difficult.

The most intriguing part of the announcement, however, is Sony’s claim that the system, “lends itself to the rights management of various types of digital content including electronic textbooks and other educational content, music, films, VR content, and e-books.”

That suggests Sony could have big plans for the system, and indeed, the release states the company “is contemplating possible uses in a wide range of fields.”

Just how big those plans might be, however, is hard to tell from the announcement. The system is still in prototype, and according to the announcement, plans to commercialize it are still under discussion.

Sony wouldn’t be the first major media company to dabble in blockchain only to let it go, should nothing come of this week’s announcement. Disney developed its Dragonchain private blockchain platform back in 2015 and 2016, only to spin it off as an open-source project under the auspices of a non-profit foundation.

But the Sony release contains additional hints that blockchain is a genuine priority for the Japanese conglomerate.

“Sony Group is also considering innovative ways to make use of blockchain technology for information management and data distribution in a host of different fields,” the release said. “Through the technological development and commercialization of blockchains, including with this new system, Sony will continue exploring the possibilities that blockchain technology holds for Sony Group’s diverse and wide-ranging business domains.”

Earlier this year, Sony applied for two blockchain-related U.S. patents that may contain clues as to what sort of information management and data distribution applications it has in mind.

One filing, 20180218027, describes a new type of crypto-mining hardware that includes additional circuitry to compress the data that goes into a new block before adding it to the chain, reducing the storage requirements of the chain. Further, the blockchain supported by the new hardware would incorporate the compression processing into its proof-of-work consensus mechanism.

“As mentioned, the mining process of a block which shall be added to the distributed ledger includes compressing data of the block,” the filing says. “In some embodiments, the mining process is won by the electronic node which provides the smallest block which is to be added, i.e. the block having the best compression may win.”

Each block could also consist of multiple sub-blocks “wherein a sub-block may include at least one of: transaction data, video data, image data, audio data, document data or the like.”

The other filing, 20180219686, describes a type of distributed ledger maintained in part by a number of “virtual nodes” that could continue to maintain the ledger “when the number of [physical] nodes is small, and consensus may be maintained when some devices go offline.”

Together, the filings could point to some sort of restricted, or perhaps permissioned, blockchain-based, peer-to-peer content distribution platform that could accommodate large data payloads by compressing them before adding the data to the chain.

Whether all of those threads ultimately tie together is unclear at this point. What is clear is that Sony is looking hard at potential blockchain use cases.

 

Sony explores the blockchain for DRM, intellectual property protection tech 

Sony has announced the development of a digital rights management (DRM) platform based on the blockchain. While the blockchain-based solution is being developed with the educational industry in mind — under the umbrella of Sony, Sony Music Entertainment Japan, and Sony Global Education — the tech giant says the system could have “possible uses in a wide range of fields.”

Source: Sony explores the blockchain for DRM, intellectual property protection tech | ZDNet

President Trump Signs Music Modernization Act Into Law 

The Music Modernization Act was signed into law Thursday by President Donald Trump, witnessed by a smattering of industry executives and such recordings artists as Kid Rock and John Rich. After an effort that began years ago and was renewed last year, the compromise legislation, which ultimately took much more compromise than the initial version of the bill anticipated, will present a whole new set of business conditions on the music publishing industry that hopefully will be worth with the reward of higher rates for songwriters and publishers.

Source: President Trump Signs Music Modernization Act Into Law With Kid…

Music piracy still ‘a significant issue’ says IFPI

On-demand streaming might be ‘virtually ubiquitous’ with 86% of us listening to music on the likes of Spotify or Apple Music, but more than one-third of consumers are still pirating music. That’s according to the Music Consumer Insight Report 2018, published by the global recording industry body IFPI, which counts 1,300 major and independent companies in 59 countries amongst its membership.

Source: Music piracy ‘a significant issue’ says IFPI

Music Modernization Act Awaits Only President’s Signature To Become Law

The Music Modernization Act is not the law of the land yet, but it’s pretty damn close, as the House of Representatives today (Sept. 25) unanimously approved passage of the U.S. Senate’s version of the bill, which had itself been approved by that chamber last week. Now, the MMA is off to the White House where it will await the signature of President Donald Trump before becoming the law of the land.

Source: Music Modernization Act On the Brink of Becoming Law, Awaits Only President’s Signature

Music Modernization Act Passes in Senate With Unanimous Support

The long road to copyright revision is nearing its end as the U.S. Senate passed the Music Modernization Act by unanimous consent Tuesday (Sept. 18). The move mimics the House’s unilateral support, previously passing the bill by a vote of 415-0 back in April. Now the Senate version of the bill will go back to the House where it needs approval due to all the changes made to the bill in order to get it passed in the Senate.

Source: Music Modernization Act Passes in Senate With Unanimous Support

Who Gets Paid When Art Created by Artificial Intelligence Sells

Christie’s will auction off an artificial intelligence (AI) artwork for the first time this October, hard on the heels of a pioneering all-AI art exhibition held at New Delhi gallery Nature Morte. While the market is eager to move the work, the field raises questions about ownership, obsolescence, and the art world jobs that algorithms can’t do.

Source: Who Gets Paid When Art Created by Artificial Intelligence Sells

European Union Passes Controversial Copyright Reforms

Controversial reforms to copyright law have been approved by the European Parliament, leading to potentially huge changes to how platforms like YouTube handle user-uploaded content and fan-made music videos. Members of the European Parliament (MEPs) voted in favor of the Copyright Directive by a clear majority of 438 votes for, 226 against and 39 abstentions. An earlier version of the proposal was rejected in July, following fierce lobbying from both the tech and music communities.

Source: European Union Passes Controversial Copyright Reforms: ‘A Historic…

Get the latest RightsTech news and analysis delivered directly in your inbox every week
We respect your privacy.