The layoffs come at a precarious time. After years of growth in audio, some companies that took a step (or leap) into podcasting are scaling back in the face of worsening economic conditions. In September, CNN laid off some of its podcast employees. Last week, Axios reported that radio giant Audacy is looking at selling off hitmaker Cadence13 for quick cash.
Source: Layoffs at Gimlet and Parcast expose cracks in Spotify’s exclusivity model


The unpredictability of TikTok-spurred viral success has resulted in artists like The Weeknd and Panic! At the Disco seeing older songs take off while their newer material hangs in limbo. It’s easy to imagine that this experience could be nerve-wracking for labels. “Kids don’t care whether somebody’s pushing a single with millions of dollars of marketing,” says Pablo Douzoglou, director of marketing for Beggars Group.
Once upon a time — that is, up until a few months ago — price was no object when it came to music acquisitions. Bidding wars routinely erupted among Hipgnosis, Universal Music Group, BMG, Concord, Reservoir, and Sony Music Entertainment, with artists cashing checks worth hundreds of millions of dollars. Now, with interest rates hiking, Wall Street assets tanking, and a global energy crisis looming, enthusiasm for frothy music acquisitions is cooling.


Apple Music celebrated the milestone with a blog post, revealing that over 20,000 singers and songwriters deliver new music to Apple Music every day. Despite the focus on its huge catalog, Apple highlights that human curation remains at the core of its experience. “Now more than ever, we know that investment in human curation will be key in making us the very best at connecting artists and audiences,” says the blog post.