AI’s appetite for scraped content, without returning readers, is leaving site owners and content creators fighting for survival. Both search and AI use the results of absolutely ginormous scraping and spidering operations, but one provides benefits to the scrapees, while the other profits enormously from the work of others while simultaneously destroying their motivation to keep doing the work.
Source: How web scraping actually works – and why AI changes everything
US politician Rashida Tlaib is planning to reintroduce her Living Wage for Musicians Act next month, and ahead of that the United Musicians and Allied Workers (UMAW) union is aiming to drum up support for the bill and its key measure: a new streaming royalty paid directly to artists. It is encouraging artists and fans to write to their members of Congress asking them to support the bill when it returns on 29 September.




The prospect of relying heavily on synthetic data hasn’t gone unnoticed by the creative industries. “I believe the main reason companies like OpenAI are having to rely more on synthetic data now is that they’ve run out of high-quality human created data to mine from the public facing internet,” says Reid Southern, a film concept artist and illustrator, adding, “It further distances them from any copyrighted materials they’ve trained on that could land them in hot water.”
While the music industry continues to grapple with questions around artificial intelligence and fair compensation, SourceAudio has positioned itself as an ethical bridge between AI companies seeking training data and rightsholders demanding fair payment. With 14 million tracks now opted into SourceAudio’s AI dataset licensing program, the firm has struck partnerships with companies includingElevenLabs, Musical AI, and Wondera.