Feedback examined the logos of OpenAI, Apple Intelligence, Claude and others, and we can confirm that, yes, they do bear more than a passing resemblance to a sphincter, and once you see it you can’t unsee it. DeepSeek and Midjourney are about the only exceptions: their logos look like a whale and a sailboat on the sea. But maybe they will soon get sucked into the circular logo maelstrom.
Source: Why do so many AI company logos look like buttholes?
Ministers are rethinking changes to copyright law before a vote in parliament next week, in a further concession to artists, the Guardian has learned. A source close to Peter Kyle, the technology secretary, said proposals to introduce an opt-out system of copyright rules was no longer his preferred option but one of several being given consideration. Kyle said: “We’re listening to the consultation and we are absolutely determined to get this right. We’re not going back to square one. We are moving forward.”
Source: Ministers reconsider changes to UK copyright law ahead of vote
It was unclear how the levies, which were announced over the weekend on social media, would be enforced and which productions are most vulnerable to the tariffs. Yet, there are widespread concerns that if they are enacted, Trump’s latest moves have the potential to upend and potentially decimate a global film business that relies on a network of international incentives and foreign locations to make movies.
As publications fight for increasingly thin slices of advertising budgets and the subscription model for news sites slowly stagnating, it’s more important than ever to maximize your publication’s content to bring in every bit of revenue possible. Many content creators and publications in Europe are overlooking the potential of content licensing to support their brands. The truth is, your existing content can – and should – generate income long after you publish it.
Source: Content licensing for publishers: Five key questions answered
Freepik, the online graphic design platform, unveiled a new “open” AI image model on Tuesday that the company says was trained exclusively on commercially licensed, “safe-for-work” images. The model, called F Lite, contains around 10 billion parameters — parameters being the internal components that make up the model. F Lite joins a small and growing collection of generative AI models trained on licensed data.
Source: Freepik releases an ‘open’ AI image generator trained on licensed data | TechCrunch
Udio, an AI music startup facing ongoing litigation from major record labels alongside its competitor Suno, has struck a new partnership with content identification platform Audible Magic. The move creates what the companies call a “content control pipeline” that allows streaming services and distributors to identify AI-generated tracks from Udio’s platform and apply appropriate licensing rules.
Source: Udio and Audible Magic team up to tackle rights management in AI-generated music
Universal Music Group posted robust revenue of €2.901 billion — around $3.309 billion, an increase of 11.8% year-over-year, or 9.5% in constant currency — in its earnings report for the quarter ended on March 31, 2025, although streaming growth continues to level off and impact the company’s bottom line. While Universal’s recorded music’s subscription revenue grew 11.5% year-over-year, or 9.3% in constant currency, streaming revenue grew just 2.9% year-over-year, or 0.3% in constant currency.
A couple of comments in its earnings call suggested the details are still being worked out with rightsholders. “Of course we need alignment and support from our industry partners to offer these kinds of new experiences to our users,” said co-president and chief business officer Alex Norstrom. “We do need the partners to come to the table and be part of this journey,” added CEO Daniel Ek.
Source: Spotify on superfan plans: ‘We do need the partners to come to the table’
Sweden-headquartered Epidemic Sound has acquired Song Sleuth, an AI music recognition startup, betting on AI to solve one of the music industry’s most persistent challenges: tracking and monetizing songs used in user-generated content online. Epidemic Sound said the acquisition paves the way for the launch of a new service called Aentidote aimed at identifying unclaimed and undistributed royalties from remixes, covers, and live recordings.
Source: Epidemic Sound acquires AI startup Song Sleuth to tackle music’s ‘black box’ problem
In a House of Representatives Cabinet Committee that took place on April 16th, 2025, in Japan, lawmakers brought up and weighed in on the issue of copyright compliance when it comes to these AI-generated photos. The Ministry of Education, Culture, Sports, Science, and Technology Strategy Officer Nakahara Hirohiko says that the final decision of whether these users have violated copyright infringement depends on the country’s courts, reports state.
Source: japanese lawmakers are coming for your AI-generated, studio ghibli-style images