As a growing list of companies are finding out – or being reminded – via litigation, social media platforms’ pre-cleared song libraries are generally licensed for personal as opposed to professional use. There’s also another layer of complexity (at least for companies and professionals situated outside the industry) given how quickly usage rules and infringement responses can change on social services.
Source: NBA Teams Fire Back Against Music Publishers’ Lawsuits
In June, the $500 million company was sued by the major record companies, along with fellow AI firm Udio, for allegedly training their systems using the majors’ recordings without permission – an accusation they pretty much admitted to in court filings in August. The legal headache and negative perception in the record industry don’t seem to have stopped one Grammy-winning artist and producer from working with the company.
Book publisher Penguin Random House is putting its stance on AI training in print. The standard copyright page on both new and reprinted books will now say, “No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems,” according to a report from The Bookseller spotted by Gizmodo.
Source: Penguin Random House books now explicitly say ‘no’ to AI training
The New York Times has sent generative AI startup Perplexity, backed by Jeff Bezos and YouTube’s ex-chief executive, a cease and desist for copying its articles and using them to create summaries of articles. The publisher says the practice constitutes “egregious and ongoing violations” of its intellectual property rights since the answers are “substitutive of our protected works.”
Classic hip-hop group 2 Live Crew have won a jury verdict allowing them to regain legal control of the majority of their catalog from a small record label that has owned their copyrights for decades. Attorneys for Lil Joe Records, which bought the band’s catalog out of bankruptcy back in 1996, insisted that termination shouldn’t apply to 2 Live Crew’s albums, arguing the catalog was “work for hire.” But 2 Live Crew’s attorneys countered that the right to terminate was “inalienable” and couldn’t be forfeited, with which the jury agreed.
Source: 2 Live Crew Wins Back Copyright Control of Their Work
Pink Floyd’s music rights sale has had plenty of twists and turns, like a screenplay stuck in development hell. But the legendary English rock band has agreed to sell its recorded music, name, image, and likeness to Sony Music for $400 million. But it’s rare to see a deal that large that doesn’t include publishing rights. Instead, this Pink Floyd deal should be looked at as a pure streaming revenue play given its focus on recorded music.
Source: Pink Floyd’s Complicated $400 Million Music Rights Sale to Sony
The Authors Guild, the largest and oldest professional organization for writers in the United States, is teaming with a new start-up, Created by Humans, to help writers license rights to their books to artificial intelligence companies. The partnership, announced Wednesday, comes as authors and publishers are wrestling with the rapid incursion of artificial intelligence into the book world.
Source: Can a Start-Up Help Authors Get Paid by A.I. Companies?
If rights holders don’t want their content to be used for the training of language models, they must attach a legally compliant, machine-readable usage reservation (TDM opt-out) to their content. “Effective immediately, all ebooks and audiobooks distributed by Bookwire,” the company says in its statement, “will be equipped with a TDM opt-out notice in ONIX data. Additionally, the TDM opt-out is stored in the metadata of all EPUBs that we deliver via the TDMRep protocol.”
Source: Frankfurt Countdown: Bookwire Offers ‘Protection’ From Wrongful AI Usage
The Mechanical Licensing Collective (The MLC), the entity that collects mechanical royalties in the US, has announced it has distributed nearly $2.5 billion in royalties since it began operations three-and-a-half years ago. That’s up by roughly $1 billion in just the past year (The MLC reported in October 2023 that it had distributed $1.5bn in royalties) and up by almost $500 million since March,
Source: The MLC nears $2.5bn in royalty distributions to songwriters and publishers since 2021
With the growth of Netflix and other streamers, top creators are starting to feel the loss of the long-tail income from syndication runs and international licensing, which is now limited to streamers with global scope such as Netflix, Amazon Prime Video, Apple TV+, Max and Disney+. Despite eye-popping upfront fees paid to top creative talent, the loss of annuity-like income from successful TV shows and movies has hit Hollywood hard in the pocketbook.
Source: Netflix Chief Doubles Down on Streamer’s Dealmaking Terms and Limited Theatrical Release Strategy