IFPI and WIN, working together on behalf of the global recording industry, have announced that their global repertoire data exchange service (RDx), built and run for Repertoire Data Exchange Limited by PPL, is now “fully operational.” RDx provides a supply chain for performance rights data among record companies and music licensing companies (MLCs) to help improve the accuracy of revenue distribution to rights holders when their music is used.
Source: IFPI and WIN’s new data exchange service RDx now ‘fully operational’

Chinese games and tech firm NetEase has unveiled plans to spin off its music streaming business NetEase Cloud Music into a company that would have its own listing on the Hong Kong Stock Exchange. It had 180 million monthly users at the end of 2020, making it the number two online music player in China.
Royalty Exchange, a marketplace where music artists can offer shares of future royalties in exchange for immediate funding from investors, has opened its business to YouTube creators. Prankster CJ So Cool, who has 8.7 million subscribers and nets an average of around 30 million views per month, is the first YouTuber to make an offering on the platform.
If all goes according to producers’ plans, then by the end of the year, filmed performances of three current shows — “Hamilton” on Disney Plus, “Diana” on Netflix and “Come From Away” on Apple TV Plus — will be available to stream at home while the live productions are running on Broadway at the same time.
Glastonbury’s Live at Worthy Farm event included lots of great artists and a special appearance by The Smile, the new band including Thom Yorke and Jonny Greenwood. Lots of people, who had bought tickets, couldn’t make it into the livestream. The problem was that lots of the unique ticket codes were flagged as invalid. After almost two hours the solution was to remove the paywall to the event.
People in the industry are asking if 45 days is the new exclusive theatrical window for movies before they become available for streaming or subscription video on demand. So far three of the major studios — Disney, Warner Bros. and Paramount — have each signaled that’s their current plan. The 90-day window was shattered a couple years ago when the average time a movie spent exclusively in cinemas was cut to 70-75 days.