Sony Music Group‘s parent company, Japan-headquartered Sony Group, has reportedly developed technology to identify copyrighted music embedded in AI-generated tracks. That’s according to the financial news outlet Nikkei Asia, which reported on Monday (February 16) that the tech has opened a path for songwriters to claim compensation when their work is used without authorization.
Source: Sony Group develops tech to track original music in AI-generated songs (report)
The Motion Picture Association on Thursday denounced the newest AI video generator, Seedance 2.0, saying it had unleashed a flood of copyright infringement in the day since it became available. ByteDance, the Chinese owner of TikTok, said the model represents a “substantial leap in generation quality” since the previous version.
Spotify says it wants to enable listeners to interact with their favorite artists’ music through AI – and that the technology to do so is already built. The barrier? Licensing. The comments land amid an intensifying industry debate over how AI-powered derivatives of existing music should be licensed and monetized – and where fans should be allowed to create them.
The genre may be especially vulnerable to disruption by A.I., for all the reasons that readers love it. Romance relies on familiar narrative formulas, like the guarantee of an “H.E.A.” or “happily ever after.” And romance novels are often built around popular plot tropes — like enemies-to-lovers or forced proximity — that can be fed into a chatbot.
Source: The New Fabio Is Claude
As part of its role in the Generative AI for Agriculture (GAIA) project, CABI is examining data governance issues to improve access to robust content for gen AI developers in a legal, equitable, and sustainable way. We are developing a model content license (MCL) intended as a standardized template that can be adapted to specific contexts by agritech AI developers and creators (e.g., publishers, creative copyright licensors, universities) or collective rights organizations.
Source: AI, copyright, and content licensing in digital agriculture
Meta, which runs social media sites Facebook, Instagram and Threads, is not only allowing people to post AI generated content – it’s launched products to enable more of it to be made. “Soon we’ll see an explosion of new media formats that are more immersive and interactive, and only possible because of advances in AI,” Zuckerberg said.
Source: AI ‘slop’ is transforming social media – and there’s a backlash
A year after the launch of Deezer’s AI-music detection tool, the company is now making it commercially available, encouraging industry-wide transparency. Up to 85% of all streams on AI-generated music have been detected as fraudulent, the company says, and are demonetized and removed from the royalty pool in continued efforts to support fair payments for artists and songwriters.
Source: Deezer Offers Its AI-Detection Tool for Sale to Other Platforms
The real question “is not what machines can or will be able to do, but what we can and will be able to achieve by growing in humanity and knowledge through the wise use of the powerful tools at our service,” Pope Leo XIV said in a new message. He warned against letting tech override human creativity, imagination and intellect.”
Source: Let communication be conducted by real human beings, not AI, pope says
A.G. Sulzberger argues journalism can survive AI—if facts can still be owned. At Stanford, the NYT publisher made the case against Silicon Valley. His message was direct. The New York Times sees itself as infrastructure. Its reporting underwrites trust across politics, markets, and public life. That work costs money, produces intellectual property, and deserves protection.
Source: NY Times Publisher: AI Is Using Our Reporting Without Paying For It
As studios and agencies begin quietly modeling what AI means for long-term franchises and aging stars, Pitt represents a category that executives increasingly focus on: globally recognizable talent whose commercial value extends beyond peak physical performance. In other words, stars whose brand will outlive their on-screen output.
Source: Brad Pitt and the Economics of the Digital Double — AI In Hollywood