This month, UMG boss Sir Lucian Grainge went public with his belief that “the economic model for streaming needs to evolve”. Grainge wrote of his desire for “an updated model… an innovative, ‘artist-centric’ model that values all subscribers and rewards the music they love.” This is a wider discussion within the music industry, as shown by Ivors Academy chair and Broken Record campaigner Tom Gray’s comments at this month’s NY:LON Connect conference.
Source: What do we mean by ‘artist-centric’ music streaming models? – Music Ally
With war raging over the border in Ukraine, a pro-Moscow separatist region to its east, and inflation at 35%, former soviet republic Moldova was granted EU candidate status last summer. New copyright law crafted to protect artists under strict EU standards is now mired in allegations of corruption and Russian interference. Meanwhile, local artists are currently being paid absolutely nothing.






Working with film, television, and stage producers, the company uses as a motto, “We invest in rights to the written word,” and most recently has demonstrated this with Monday’s news (January 9) that it has just added three new estates to its nonfiction portfolio—the writings of Roger Tory Peterson, John Brooks, and HW Janson.