Faced with an aging audience and a younger generation more interested in social media than the silver screen and television, studio executives are increasingly hiring talent made famous on digital platforms, such as Charli D’Amelio and Addison Rae Easterling, known as Addison Rae, two of the most-followed creators on TikTok, for high-profile film and TV projects.
Source: Hollywood Embraces TikTok Stars for TV, Film Projects
France’s strict windowing rules are looking increasingly outdated in the pandemic era, but local players and streamers disagree on changes. At stake is the distribution of movies financed by studio-backed streaming services, such as Disney and WarnerMedia, as well as a related dispute with Canal Plus, which is leveraging the level of its investment in French movies in order to obtain a reduced four-month window.

Paramount has a bunch of movies — either greenlighted or in some stage of production — with major players whose deals were made with the assumption of a traditional theatrical release. Having signaled what appears to be a hard pivot to streaming by replacing Jim Gianopulos with Nickelodeon chief Brian Robbins, ViacomCBS may have plunged itself into another round of the fights that have embroiled WarnerMedia and Disney.


What’s been so striking about the 2021 official kickoff to fall awards season was just how normal it felt. The success of Venice, one of the only major festivals to hold an in-person event in 2020, and Telluride offers hope that Hollywood can still screen movies, throw flashy premieres and bring people together, even as cases of the delta variant surge across the globe.