Queen’s music catalog is among the most valuable of the rock era — with classics like “Bohemian Rhapsody,” “Another One Bites the Dust,” “Radio Ga Ga,” “39,” “Somebody to Love” and “You’re My Best Friend” as well as the perennial stadium-shakers “We Will Rock You” and “We Are the Champions,” the songs are globally popular and enormously lucrative. One other player was said to be very close in the bidding, but stopped short at $900 million.
Source: Queen Catalog to Be Acquired by Sony Music for £1 Billion
Startups need large amounts of data, storage and chip capacity to be able to train their AI chatbots, which is where regulators believe the tech giants hold too much power. There is some evidence that smaller players are being forced into exclusive, opaque deals to run technology from Nvidia, Microsoft and their rivals, which can give the already dominant players an even bigger advantage.





Composers and songwriters are looking to receive an additional $8 million (£6 million) in royalties from online services each year from PRS for Music. CEO Andrea Czapary Martin announced a 20% reduction in the administration rate from multi-territory online (MTOL) royalties’ collection — the result of the collective management organization surpassing its targets and delivering historic distributions and revenues.
In the publicly released elements of the Audio Publishers Association‘s proprietary annual consumer survey, the organization today (June 3) has reported that audiobook revenue in the United States grew 9 percent in 2023 to US$2 billion. While this represents a dollar valuation above the $1.8 billion figure of last year’s report issued on June 1, 2023, the growth rate appears to have slowed a bit from the previous survey’s 10 percent.