So far, the company — which lets users post videos of up to two minutes and 20 seconds, and doesn’t actively scan for infringing content — has been unwilling to negotiate to license music. And although Twitter operates under the DMCA, the company often takes “three to five days” to remove content after receiving a takedown notice, according to a rights-holder source.
Source: Twitter Faces the Music as Tension With Labels Heats Up
The German implementation of the European copyright reform is edging towards adoption, despite having been postponed from cabinet talks on Wednesday (27 January). Upload filters appear to be inevitable, as platforms will be forced in the future to check content for copyrighted material as soon as it is uploaded. With the vast amounts of data uploaded to YouTube or Facebook every day, this is only possible with automated software.
The UK launch of the Facebook News service is the first outside the US. In addition to already-inked deals involving the Guardian, the Economist and hundreds of local sites, Facebook on Tuesday announced new partnerships with Channel 4 News, Daily Mail Group, DC Thomson, Financial Times, Sky News and Telegraph Media Group.



The U.K.’s three biggest record label heads put on a united front at a Parliamentary probe into the streaming business on Tuesday (Jan. 19), denying artist claims that music streaming payouts are unfairly weighted in labels’ favor. The label executives stressed the importance of protecting artists’ interests and maximizing revenue for all parties.
The US government is asking Australia to abandon a proposed law that would force Facebook and Google to pay local media firms a cut of the advertising revenue they rake in when using their content. American trade representatives Daniel Bahar and Karl Ehlers asked Australia to “suspend” the plans and suggested the country instead “further study the markers, and if appropriate, develop a voluntary code.”