The “standard rerecording restriction” previously spanned the later of five years from the delivery of the final contracted work or two years from a contract’s expiration. But the leading label, in a change that could also be adopted by Sony Music and Warner Music, has reportedly upped the periods to seven years and five years, respectively,
Source: Taylor Swift Re-Recordings Prompt Contract Pivot at UMG
The Government has signed the EU’s Copyright Directive into law five months after the June 2021 deadline set by the European Commission, saying the move will strengthen the rights of authors, performers and other creators and make Irish copyright law “fit for purpose in a digital age”.

Universal Music Group and Authentic Brands Group have announced a strategic initiative to acquire and actively manage artist brands, including names and likenesses. UMG Chairman/CEO Lucian Grainge said, “UMG and ABG have strong track records as powerful stewards of artist and celebrity brands. Through this initiative, we will invest in name and likeness rights to create unique opportunities for artists with the goal of greatly expanding their cultural and commercial impact.”
In 2020 alone, streamers produced 532 new television shows. Their appetite for content is fueling a golden age of adaptations, according to Michelle Weiner, head of the books department at Creative Artists Agency (CAA), which includes the book-to-film department and the publishing group. “The volume of film and television being produced has increased dramatically,” she says.
Achieving equitable streaming rates for recordings and songs is not a complex mathematical conundrum. It does not require convoluted price modeling. It is purely a business fight among private stakeholders. Yet, every five years, due to legacy US copyright laws that have not kept pace with technology, certain stakeholders are locked in rooms with copyright tribunals and forced to become gladiators on a royalty hamster wheel.
