One of the distinguishing features between the metaverse and real world is that everything in the metaverse will have been 100% manufactured and, therefore, will have a “creator” of some shape or form. Consequently, almost all elements of the metaverse are likely to be someone’s intellectual property (IP), which raises the “IP is everywhere” problem.
Source: The metaverse and artificial intelligence: the ‘IP is everywhere’ problem
Hipgnosis says it has acquired “100% of all of Timberlake’s copyright, ownership and financial interests of the Writer and Publisher’s Share of Public Performance income, and the catalog of musical compositions written by Justin Timberlake”. Also included in the sale to Hipgnosis are the worldwide administration rights to the compositions, subject to the remaining Term of Universal Music Publishing Group’s administration rights.
Books and magazine articles have long provided the IP Hollywood depends on, but until recently, authors played little role in the process. Now, lit agencies and publishers are changing the rules and shortening the page-to-screen pipeline.
Over 216 comic strips, several videos, and one alarming free-to-play visual novel, Robbins — a writer and comedian whose credits include stints on I Think You Should Leave and The Eric Andre Show — starts with a goof about a guy who’s married to Betty Boop and steers it into a hilarious, sometimes existentially troubling interrogation of what’s fascinating about fandoms and dumb about copyright law.

More music companies than ever are pitching tools for creators and rights to track the usage of copyrighted works and enable rights holders to claim royalties they’re owed and collect them. Many of them are impressive – and the music business can’t work properly without them. Sometimes, though, the music business also needs what you might call hammers – tools that can make services that use music pay creators and other rights holders.
Various organisations representing French artists, performers and labels have welcomed an agreement finalised last week regarding the sharing of streaming monies. That agreement follows years of negotiations between artist and label groups which first began when the French government announced an initiative in 2015 that sought an industry-led solution to ensure the ‘fair development of online music’.
According to LimeWire, as part of this partnership with UMG, the major will provide licences to allow LimeWire to partner with UMG artists in order to launch music-based NFT projects using the LimeWire marketplace.