A new study from Global Strategy Group (GSG) reveals that only 42 percent of Americans polled believe content creators should be compensated when AI uses their work. Additionally, only 12 percent of respondents say they would trust companies that rely on AI more than those that depend on people.
Source: Just 42% of Polled Americans Think Artists Should Be Compensated When AI Uses Their Music

A grimy, looping, un-Human Centipede, spewing out money towards drug gangs, people-trafficking operations, and God knows what else at the dog-end of civilization. Is that the kind of music business you signed up for? Because it’s the one you’ve got. The news that tracks created on “anyone can do it!” AI music app Boomy were being deleted by Spotify for suspected streaming fraud should have surprised precisely no one.


Be it bringing a second life to an old Fleetwood Mac classic to breaking new acts like Bella Poarch who’s amassed 100 million followers, the speed and suddenness at which hits happen on TikTok excites fans but exposes an industry pain point. The sluggishness of the payment system that follows success. For artists and songwriters, this time lag has real consequences.
Independent companies now command a combined 27.1 percent share of the global publishing market – or a larger piece of the pie than Sony Music Publishing, according to a new report. According to the document, which cites Music & Copyright data, the Big Three labels’ publishing units had an estimated total market share of 59.9 percent at 2021’s end.
BMG has announced that it is fully integrating its new release and catalog recordings businesses. In doing so, the company claims to have become the first global music company to abandon what it calls “the outdated industry distinction” between new i.e ‘frontline’ and older i.e ‘catalog’ recordings. BMG says that the move reflects “the new reality of a streaming market in which older catalog recordings account for up to three-quarters of revenue”.