British artist Damien Hirst looks set to make $20 million with his latest art-drop, “The Currency,” which forces prospective buyers to choose between physical and digital art in the shape of non-fungible tokens. Applications for ownership of Hirst’s 10,000 spot paintings closed on Wednesday, with Heni, the marketplace hosting the drop, reporting that it was oversubscribed by more than six times.
Source: Damien Hirst’s $20 Million Twist on NFTs 6X Oversubscribed – Decrypt

With music discovery being one of the platform’s most talked-about attributes, it won’t surprise most music marketers to learn that 75% of TikTok visitors discover artists there, while 63% say it’s a source for music they’ve not heard before and 72% indicating they associate certain songs with TikTok.
The music business’s main value flows from its ability to control creative intellectual property, and that’s an essentially centralized activity. We need to be clear eyed about what needs to happen to create a truly robust, multi-faceted decentralized ecosystem for music.
After a choppy quarter, executives say Netflix is staying laser-focused on enhancing its core product rather than shopping for M&A deals. “We’re a one-product company with a bunch of supporting elements that help that product give incredible satisfaction for consumers and a monetizing engine for investors,” Hastings said.

Disney’s highly anticipated Marvel film “Black Widow” fell 67 percent compared to its opening weekend and dashing hopes at the company for a July hit. Potentially even more worrisome for Disney is that the poor numbers may not have been solely the result of its decision to make the movie available simultaneously for $30 on Disney Plus: It could be that consumers don’t want to pay for Marvel content in the numbers they once did, no matter the venue.
Movie theater operators did not mince words in asserting that
The hottest topics at the tables this year, according to conversations with a half-dozen participants, were the future of the streaming bundle and of sports rights deals, local and national. Attendees said there was also greater acknowledgment that the entertainment industry is in the midst of a fundamental transition to on-demand digital-distribution platforms that has to be addressed.