The music catalog acquisition game continues to hot up – with the major music rightsholders getting stuck in. Today (June 17) it’s Warner Music Group‘s turn to make a splash. WMG has confirmed that it has acquired the entire recordings catalog of French DJ/producer superstar David Guetta. A deal for future recordings has also been agreed.
Source: Warner Music spends over $100m to buy David Guetta recordings catalog

Opulous is a DeFi company that gives artists loans by using their future royalties as collateral (which sets it apart from other DeFi companies which typically use cryptocurrency as collateral). These are loans that artists normally can’t get from banks, even when their income is stable and predictable. Opulous lets crypto investors ‘stake’ their assets, which are then used for loans for musicians.
In intellectual-property-hungry Hollywood, NFTs have fast become the new frontier, and their popularity has set off a gold rush mentality as studios, producers, and even talent agencies scour for new revenue streams in the wake of COVID-19’s crushing effects. “It’s all upside. It’s found money,” says Chris McGurk, chairman and CEO of Cinedigm Digital Cinema.
Catalogue sales keep dominating the news, but would anyone actually invest directly in a musician or a band? What would the return need to be to get interest for this? And, can we move beyond investing related to future streaming revenues? Perhaps towards tokenized fandoms?
For some time, influential voices in the industry have called for the unrecouped balances of heritage artists to be written off by record labels. This would see modern-day royalty earnings of these acts get paid into their pockets, rather than being swallowed by a record label with whom they may have ended dealings decades ago.

