Streaming giants have prompted a fundamental shift towards non-English scripted content conquering more global eyeballs, says Guy Bisson of London-based Ampere Analysis. Although he points out that this trend was “well underway before COVID came along,” within this scenario, shows from continental Europe are now making “unprecedented inroads.”
Source: From ‘Lupin’ to ‘Winx Club,’ European IP Is Highly Coveted by Streamers