A growing list of nearly 1,100 musicians, authors, songwriters, composers, music producers, poets, playwrights, film composers, actors, directors and other members of the creative class have signed a joint letter addressed to the Honourable Mélanie Joly, Minister of Canadian Heritage, urging the Canadian Government to put creators at the heart of our cultural policy.
November, 2016
Disrupting the world of science publishing
ScienceMatters, a Swiss startup that launched in February, is trying to pave the way to a more democratized system by offering an open-source publishing platform to every scientist who wants to share his or her observations.
Source: Disrupting the world of science publishing | TechCrunch
Analytics In An Artist’s World
Revelator CEO Bruno Guez explores how the latest evolution of data driven niche marketing by companies such as Netflix could be applied in different ways to the music industry, particularly as music streaming occupies an increasingly large segment of the market.
Source: Analytics In An Artist’s World [Bruno Guez] – hypebot
Dubsmash Adds $9.6 Million For Viral Music Video Lip-Sync App
Berlin based Dubsmash has added $9.6 million in series B funding to expand its viral music video lip-sync app. The startup had previously raised $6 million.
Source: Dubsmash Adds $9.6 Million For Viral Music Video Lip-Sync App – hypebot
Starz is adding music, courtesy of Spotify, to its video app
A new integration live in Starz’ mobile app today gives users the ability to listen to soundtracks and related playlists powered by Spotify without leaving the app. Spotify subscribers will be able to listen to the entire songs for, say, an episode of “Power”; non-subs can hear 30-second previews.
Source: Starz is adding music, courtesy of Spotify, to its video app – Recode
Introducing the RightsTech Project
Copyright and technology have long been intimates. The first modern copyright law, the Statute of Anne in 1709, which invested authors for the first time with rights in their own creations, emerged out of a long struggle over regulating the use of the printing press, that technological marvel of the Renaissance. Before Gutenberg, poets and philosophers could earn renown for their work but rarely material reward. It took the technology of movable type to give rise to Droit d’Auteur.
But like a lot of long-term relationships, it’s complicated. In the 300 years since the Statute of Anne, advances in the technology of communication have vastly increased the value of authors’ rights by creating new markets for their works while at the same time challenging their legal and statutory foundations, forcing courts and legislators to make repeated adjustments to the rules of engagement.
Today, as Moore’s Law unravels the world set in place by movable type the need to reconcile rights and technology is more urgent than ever. Fortunately, just as the commercial logic of Gutenberg’s invention eventually yielded the legal concept of authorship, so, too, the algorithmic methods of digital networks could hold the key to giving renewed commercial substance to the insubstantial bits of logical data that today we call intellectual property.
Or so we at the RightsTech Project believe, which is why we’re rolling out this new, revamped website.
Why ‘Project’?
Machine-to-machine communication requires machine-readable inputs. Making even complex works of authorship machine-readable today is a routine matter, thanks to low-cost encoders and standardized formats and communications protocols. Information about that authorship however — who created it, when and where was it created, who owns it, what rights in it are they asserting, how can it be licensed for use — all-too often remains housed in non-machine readable catalogs and contracts, or gets stripped out in the hand-off, if it was reliably recorded at all.
The problem isn’t simply a matter of missing metadata, although that’s certainly a big part of it. The problem is that the transfer of bits from machine to machine represents a transfer of value, especially when those bits refer to works of authorship. But without machine-readable means to recognize, account for, and remunerate that transfer of value the chain of interest from user back to author is broken.
Fortunately, a growing number of entrepreneurs, technology developers, and creators themselves have lately turned their attention to devising those machine readable means. Some are already in the marketplace, others still on the drawing board. But the great project of restoring and preserving the chain of value in machine-to-machine communication is now well underway.
We here at the RightsTech Project hope to provide a platform to chronicle, discuss, and advance those efforts. In addition to enhanced news coverage and analysis of rights-tech developments on this website, we will in coming weeks unveil a members-only forum where issues related to rights, technology, digital contracts and the law, registries, metadata, interoperability, and more can be discussed and debated. We will also be rolling out a full calendar of events for 2017, beginning with a full track of RightsTech panels and presentations at Digital Entertainment World in February.
We’ve also opened a dialog with policymakers in the U.S. as they wrestle with possible adjustments to copyright law. The RightsTech Project will be participating in a public meeting in Washington, DC, on December 9th hosted by the U.S. Department of Commerce on Developing the Digital Marketplace for Copyrighted Works. All RightsTech readers and supporting partners are invited to attend the free conference.
So please join us on the journey. Check back here often, sign up for our weekly newsletter to stay abreast of all the RightsTech news and analysis, send us your comments, suggestions, and thoughts as we embark on this next phase of the RightsTech Project.
Online Gambling Industry – worth some $40 Billion – Firing Up for Blockchain
America has already seen a massive rise in Bitcoin casino and Bitcoin sports betting sites on the web, and now new players and old alike are looking to improve issues of trust and transparency using Blockchain’s technology for their online gambling products.
Source: Online Gambling Industry – worth some $40 Billion – Firing Up for Blockchain – Blockchain News
Blockchain Powered CDN Trading Platform, BlockCDN Provides Crowdsourced Bandwidth
BlockCDN, the Chinese blockchain company is in the process of creating a bank for computing resources that makes it possible to offer crowdsourced bandwidth at highly competitive prices to content providers.
Source: Blockchain Powered CDN Trading Platform, BlockCDN Provides Youku With Crowdsourced Bandwidth
Facebook Loses Lawsuit Over Use of Metadata in Photos
A photographer has won a lawsuit filed against Facebook in Germany. The suit claimed that Facebook’s practice of removing EXIF metadata from photos uploaded to the service violated German copyright law.
Source: Facebook Loses Lawsuit Over Use of Metadata in Photos | Digital Trends