Spotify boss Daniel Ek says that he is buying $50 million of shares in the music streaming company that he founded. The announcement came at a time when tech companies are falling out of favor with Wall Street. Ek has sought to distance Spotify from comparisons with video streamer Netflix, which recently revealed that subscriber growth had plateaued.
Source: Daniel Ek to Buy $50 Million of Spotify Shares, Predicts Streaming Growth Ahead

The prospect that the streaming pioneer has now hit a ceiling didn’t sit well with investors who had been valuing media companies purely on the basis of subscriber growth. Netflix has shed more than 40% of its market value since, while Walt Disney, Paramount and Warner Bros. Discovery, the new owner of HBO Max, have seen their shares fall by an average of 17% over the same period.
In its 10-Q filing with the SEC, Amazon detailed the components of the MGM deal, which closed March 17. The assets “primarily consist of $3.4 billion of video content,” with the acquisition price including $4.9 billion of goodwill, which is defined as “the established reputation of a business regarded as a quantifiable asset.”

Twitch is considering upping its own cut to 50%, people familiar with the matter told Bloomberg. That would bring Partner streamers down to the 50/50 split Twitch currently has with Affiliate streamers. But that change isn’t set in stone. Twitch is also considering another option: a tier-based system, where some Partners would continue making 70% from channel subs while some would make the new, lower 50%.
A bevy of legacy acts, including Shakira, Neil Young, and Barry Manilow, all covered the same hot new investor song — “Music Is A Dependable Asset Class” — and traded catalogs for cash from funds, investors, and other financial outfits. Now, an intriguing question — and its potentially lucrative answer — has me and many others up late: Can smaller artists cash out, too? Can investors apply the same equation, and capture equally dependable returns, from the little guys?
Spotify added just 2 million premium subscribers in the first quarter of 2022 and wrapped up March with a total of 182 million paid users and 252 million ad-supported listeners. While that paid subscriber tally was a million under guidance, the company was quick to note that its wind-down in Russia, following its invasion of Ukraine, resulted in an “involuntary churn” of roughly 1.5 million subscribers there.