MUSO, a London-based data company that tracks global piracy and unlicensed media consumption, has received a £3.2 million ($3.9m) investment from UK-based Puma Private Equity. MUSO’s services are used by the likes of Amazon Studios, National Association of Theatre Owners (NATO), NOS, Lionsgate, MNRK (formally eOne Music), Sony Interactive Entertainment Europe, and more.
Source: Piracy tracking startup MUSO raises $3.9m from Puma Private Equity


Web3 company and NFT marketplace OneOf has raised over $8 million in new strategic funding. The firm says the round will accelerate the development of what it calls its “environmentally sustainable NFT marketplace”. In May 2021, OneOf raised $63 million in a seed round from prominent tech and music industry veterans.
Sony’s global music rights operation – across recorded music and music publishing – generated USD $2.03 billion in the three months to end of June 2022. The $2.03 billion figure was up 11.7% year-on-year (vs. calendar Q2 2021) at US dollar-converted constant currency. In monetary terms, Sony’s overall music rights operation (recorded music plus music publishing) generated approximately $212 million more in calendar Q2 2022 than in the prior-year quarter.
The Big Three record label unveiled its second-quarter showing – and its continued streaming growth – this afternoon. In total, Universal Music Group said that it had pulled down €2.54 billion (the dollar and the euro were nearly even at the time of writing) during Q2 2022, which reflects the initially mentioned 25.4 percent YoY boost as well as a 17.3 percent gain in constant currency (CC).
In its Q2 results announced today (July 27), Spotify has confirmed that it added 6 million net Premium subscribers to its user base in Q2, taking its total global subs up to 188 million. That was bigger than the 5 million subscribers SPOT previously told investors it was expecting to add in the second quarter. It also means that, with2 million net subscriber adds banked in Q1, Spotify added a total of 8 million additional net Premium subscribers in the first six months of 2022.
The CMA has confirmed that it has made a preliminary decision not to pursue a full-scale investigation into the music streaming industry in the UK. (Or, at least, it has issued a “proposal” not to do so; its final, final decision will be taken on August 19.) The CMA has, for the past six months, been conducting a light-touch ‘market study’ into streaming economics in the UK, which would ultimately decide whether a full-blown investigation was required.