Anyone following the tech sector over the past few years has had no shortage of hyped “next big things” to entertain. In 2019, it was cryptocurrency. In 2020, that expanded to mean anything blockchain or so-called Web3. Last year, it was the metaverse. There are two key reasons investors should pay more attention this time. The first is the velocity at which AI is growing and improving. The second, and arguably more important, factor is the rapid and warm reception AI has received from consumers.
Source: AI Has Its ‘iPhone Moment’


In January it was reported that Microsoft poured another $10bn in OpenAI the startup behind ChatGPT, on top of an earlier investment of $1bn. A spreadsheet maintained by Pete Flint at NFX, a VC firm, now lists 539 generative-AI startups. Not counting OpenAI, they have so far collectively raised more than $11bn in capital. Mike Volpi of Index Ventures, another VC firm, calls it a “Cambrian explosion.”
London-based Hipgnosis Song Management, the “investment adviser” of the publicly traded Hipgnosis Songs Fund, and four-year-old Beatclub announced their tie-up today. Those who utilize the creator marketplace Beatclub – most notably Timbaland (who sold his catalog to HSF in 2019) and Justin Timberlake (who finalized a reportedly $100 million catalog deal with HSM last May) – “will have the ability to sample some of the most iconic songs in the world within the Hipgnosis catalog” moving forward.
Five months after announcing that it raised “eight figures” in financing as it doubles down on the Web3 space, Napster says it has acquired Mint Songs, an NFT marketplace that helps music artists build Web3 communities. The acquisition follows Mint Songs’ $4.3 million fundraising from investors including Freestyle Capital and Castle
Paramount Global is again seeking to sell Simon & Schuster, months after the media company’s $2.2 billion deal to sell the book publisher to Penguin Random House collapsed, according to people familiar with the matter. Paramount will court private equity firms as potential buyers of Simon & Schuster because they do not compete with it and would not raise competition concerns with U.S. regulators that led to the demise of the Penguin deal last year, the sources added.
Cutting Edge’s capital raise follows last year’s news that it had partnered with London-based investment firm Blantyre Capital to commit $125 million to acquire film and TV music rights. Cutting Edge says that the funds from last year’s round “has been fully deployed”. The new funds, announced today (February 14), will bolster CEMM’s cash reserves as it invests in music for film, television, video games and more.