Music industry economist Will Page has been ruffling feathers with his latest report: an examination of equitable remuneration (ER) models. “The logic here sounds simple: if we consider Spotify analogous to radio, then why not treat it like radio is treated in many countries, and give the artist 50% of distributable revenue?” he wrote. “Were such ‘equitable remuneration’ implemented, the artist’s gain would be the label’s pain.”
Source: Former Spotify economist Will Page causes a stir with equitable remuneration report – Music Ally


Songtradr said in a media release March 30 that the transaction “solidifies Songtradr’s position as a key leader in the B2B music industry, establishing the company as the only one-stop music solution for digital platforms and brands worldwide”. The acquisition will see UK-headquartered 7digital‘s music delivery platform combined, under one company, with Songtradr’s “technologies, licensing pedigree, and unmatched AI music search and metadata technology”.
BMG‘s annual revenues hit EUR €866 million (USD $911m) in 2022 – climbing by €203 million, or 30.6%, year-on-year. In its annual fiscal report, Bertelsmann attributed the strong growth in BMG’s 2022 revenues and EBITDA to “organic growth in its recorded and publishing businesses… supported by an investment offensive”. That “investment offensive” involved a record €509 million ($535m) being spent on the acquisition of music catalogs plus artist signings in 2022.

The transaction includes master and publishing rights to a collection of film scores including the score for director Taika Waititi’s upcoming sports comedy-drama film Next Goal Wins starring Michael Fassbender, and the score for the upcoming animated version of George Orwell’s Animal Farm from Andy Serkis. Next Goal Wins includes a score by Academy Award and Emmy-winner Michael Giacchino, who composed themes for Up, The Incredibles, The Batman and Lost.
