YouTube has paid out more than $30 billion to creators, artists, and media organizations over the last three years, according to a new letter published by CEO Susan Wojcicki. The letter also focuses on the work YouTube’s team still has in front of them. Mainly, transparency, especially where content strikes and advertising dollars are concerned.
Source: YouTube has paid more than $30 billion to creators, artists, and others over the last three years
Parallel success stories in the decentralized world can offer plenty of insight, and Hollywood as a frontier of the film industry should make the next move, or else it might be too late. In a decentralized world where the film industry would be, creators could upload their project concepts on a blockchain platform and promote them by interacting with fans and investors.

In the fourth quarter of 2020, Netflix added 8.51 million paid streaming subscribers, about 2.5 million more than expected, to stand at 203.7 million worldwide at the end of the year. The strong Q4 subscriber results come as the No. 1 SVOD player faces stepped-up competition from a slew of rivals including Disney Plus, Hulu, HBO Max, Peacock, Discovery Plus, Paramount Plus and Amazon Prime Video.
Cinedigm continues its rollup of niche streaming brands: The company has acquired the assets of Fandor, a subscription-streaming service with a catalog of 4,600 films that has been in hibernation mode for the last two years. Cinedigm plans to beef up Fandor’s offerings with some of the 7,000-plus films titles in the Cinedigm library as well as relaunch the service’s apps.
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