How we monetize fandom in an increasingly online world is a question that doesn’t just exist in music, but also in sports. As such we can learn from each other. Brand new American football club Inter Miami just launched a video strategy that is all about engagement. Let’s see what they’re doing, how they do it, and what it means for those monetization strategies.
Source: Livestream monetization strategies, or what we can learn from Inter Miami CFR
Much of Pershing Square’s three-hour, 128-slide presentation Wednesday — which included a 15-minute intermission and 45 minutes for financial details and a Q&A session — served as a necessary primer on copyright, intellectual property, the intricacies of royalty payments and the state of music in the age of streaming and smartphones.
Source: Bill Ackman Makes Case for Universal Music Investment, The Future of Music
Representative Ted Deutch (D-FL) and Representative Darrell Issa (R-CA) are set to unveil the legislation at a press conference tomorrow afternoon, the lawmakers announced in a joint release. Additionally, “artist advocates” including New Jersey-born singer Dionne Warwick and Miami-born Sam & Dave co-founder Sam Moore will appear at the event.
Source: American Music Fairness Act Aims to Set AM/FM Radio Recording Fees
The Federal Trade Commission will be the agency to review Amazon.com’s proposed acquisition of Hollywood studio MGM, according to people familiar with the matter, just as the commission gets a new chairwoman who has been critical of the online giant’s expansion.
Source: WSJ News Exclusive | Amazon’s Planned Purchase of MGM Faces FTC Scrutiny
SoundExchange distributions grew 4.3% to $947 million in 2020 from $908 million paid out a year earlier to artists, record labels and other creators with points on master recordings. Overall revenue collections totaled $1.003 billion in 2020, a 4.2% increase over $963 million pulled in for the prior year.
The round saw participation from Australian based institutional investors including Regal, Aware Super, Perennial, Argo and Greencape, as well as a follow-on investment from the founder and CEO of Wisetech Global, Richard White. Now, there’s talk of a potential IPO for Songtradr – perhaps even as early as the second half of this year.
PSTH confirmed earlier today (June 20) that it had entered into a definitive agreement with UMG’s majority owner, Vivendi, to acquire 10% of outstanding ordinary shares in UMG for approximately $4 billion. Later this year, after Vivendi completes the previously announced listing of UMG on Euronext Amsterdam, shares representing 10% of the music company will be distributed to PSTH shareholders.
Source: Done deal: Pershing Square SPAC is buying 10% of Universal Music Group for $4bn
The money will be used to “to acquire a substantial pipeline of songs”, said Hipgnosis, including “some of the most influential and successful songs of all time.” The placement opened today, and is expected to close on July 6 – although Hipgnosis reserves the right to close it earlier or later than this date.
Source: Hipgnosis is raising another $210 million via a new share issue on London Stock Exchange
The music catalog acquisition game continues to hot up – with the major music rightsholders getting stuck in. Today (June 17) it’s Warner Music Group‘s turn to make a splash. WMG has confirmed that it has acquired the entire recordings catalog of French DJ/producer superstar David Guetta. A deal for future recordings has also been agreed.
Source: Warner Music spends over $100m to buy David Guetta recordings catalog
The gaming platform is becoming increasingly attractive to artists, who can earn money by cultivating fan tribes that express their loyalty through patronage. Central to Twitch’s popularity among musicians is its economic model, which is quietly revolutionizing the business by providing an alternative to the winner-take-all system of on-demand services like Spotify, Apple Music and YouTube.
Source: Can Streaming Pay? Musicians Are Pinning Fresh Hopes on Twitch.