SESAC, which bought Harry Fox in 2015 and was acquired by investment-management company Blackstone in 2017, announced the Audiam buyout in a brief release today. This release doesn’t disclose the transaction’s financial terms or ownership specifics, besides noting that “SOCAN will retain a minority share in Audiam.” Also worth mentioning is that SOCAN kicked off 2021 by offloading B2B digital-music platform MediaNet.
Source: SESAC Acquires Audiam, Drawing Criticism From Founder Jeff Price

Johansson’s battle with the Burbank entertainment giant — in which she argues she was cheated out of pay by Disney’s decision to sell the movie on Disney+ while it was in theaters — is the latest and most high-profile example of a debate that’s been boiling under the surface in the entertainment industry. Disney says her case has no merit.
The US-based DIY distribution platform confirmed today (August 16) that it has accepted an investment from Insight Partners which values it at $1.3 billion. Silversmith Capital Partners, a Boston-based growth equity firm that led DistroKid’s first outside investment in 2018, will retain “a meaningful ownership position” and remain on DistroKid’s board.
China’s Tencent Music Entertainment is to adjust its business model after being hit with regulatory penalties and seeing its share tumble to record lows. It will downplay music streaming and control of exclusive content and instead emphasize related services such as karaoke and social entertainment.
The biggest trade publishers continue to get larger: Hachette Book Group has entered into a “binding commitment” to acquire one of the industry’s largest and most unique independent publishers, Workman Publishing. HBG is paying $240 million for Workman, which had sales of $134 million last year. The deal is expected to be completed by the end of September.
