Rights

On Tuesday (January 31), TIDAL and Universal Music Group announced plans to research how, by “harnessing fan engagement”, music services and platforms can “generate greater commercial value for every type of artist.” They add in their announcement that their research will extend to how different economic models “could accelerate subscriber growth, deepen retention, and better monetize fandom to the benefit of artists and the broader music community.”

Source: Universal partners with TIDAL to develop ‘more artist and fan-friendly’ streaming model

Word Collections has filed a motion for sanctions against Pandora and its law firm over several allegedly false counterclaims. Spoken Giants filed a separate Rule 11 motion last week. Both  are suing Pandora for allegedly failing to secure licenses for an array of compositions/literary works. May of 2022 saw Pandora levy an antitrust counteraction against Word Collections, and the presiding judge in October of the same year dismissed this countersuit with leave to amend.

Source: Word Collections Seeks Sanctions From Pandora in Copyright Suit

Yuga Labs, parent company of Bored Ape Yacht Club, said in a court filing it does not have “copyright registrations” for the NFT collection’s images. However, as legal experts have noted, Yuga did not sue Ripps on a copyright claim. A number of possible reasons have been suggested, from a lack of copyright registrations to Yuga wanting to avoid allowing Ripps to use a Fair Use/Freedom Of Speech defense.

Source: Yuga Labs Says It Does Not Have Copyright Registration Of Bored Ape Images, in New Court Documents

Microsoft, along with its subsidiaries GitHub and OpenAI, has told a San Francisco federal court that a proposed lawsuit over the open-source code the companies use to train their AI systems is unsustainable. The companies say that the complaint, filed by anonymous copyright owners, needs to outline the allegations more precisely. Additionally, the companies state that GitHub’s Copilot system, which suggests lines of code for programmers, was within fair use of the source code it recommends.

Source: OpenAI, Github Seek to Dismiss AI Copyright Infringement Lawsuit

A federal judge has rejected artists’ motion for class certification in a copyright-recapture lawsuit filed against Universal Music. The court explained in detail how “the need for individualized proof” – i.e. whether each of the contracts is or isn’t made for hire – “precludes certification of the proposed classes.” Similarly, a second work-for-hire test, centering on whether the music had been “specially commissioned,” likewise “requires a highly individualized inquiry,” according to the document.

Source: Universal Music Defeats Class Certification Motion In Artists’ Suit

One popular alternative to the ‘pro-rata’ streaming royalty model is the so-called ‘user-centric’ (UC) model. Here, the ≈70% royalty-bearing portion of an individual user’s subscription fee is paid out only to artists that specific individual has listened to; there is no central ‘pool’ of royalties. Universal Music Group, however, is on the record as having concerns about the UC model.

Source: Universal is investigating new royalty payout models for streaming. Which one will it choose?

Warner has now provided an update on its legacy unrecouped advances program, revealing that the program saw around 4,500 artists and related producers benefit globally in its first year. The company says it expects this number to grow “as we connect with all eligible participants”. Additionally, WMG says that it has “also begun to reach out to [Warner Chappell Music] WCM songwriters who could benefit from this program.

Source: Warner’s dismissal of legacy unrecouped advances has already increased earnings of 4,500 artists and producers globally

PPL announced that in 2022, the company paid out the equivalent of more than $300m to 165,000 performers and recording rightsholders  — a more than 7% increase from £228.7 in 2021. Additionally, this is a 12.2% increase from 147,000 performers and rightsholders in 2021, either as direct members of PPL or indirectly through other collective management organizations (CMOs). The money paid out was collected by PPL for the use of recorded music in the UK and internationally.

Source: PPL Paid Over $300M to 165,000 Performers and Recording Rightsholders in 2022

This month, UMG boss Sir Lucian Grainge went public with his belief that “the economic model for streaming needs to evolve”. Grainge wrote of his desire for “an updated model… an innovative, ‘artist-centric’ model that values all subscribers and rewards the music they love.” This is a wider discussion within the music industry, as shown by Ivors Academy chair and Broken Record campaigner Tom Gray’s comments at this month’s NY:LON Connect conference.

Source: What do we mean by ‘artist-centric’ music streaming models? – Music Ally

With war raging over the border in Ukraine, a pro-Moscow separatist region to its east, and inflation at 35%, former soviet republic Moldova was granted EU candidate status last summer. New copyright law crafted to protect artists under strict EU standards is now mired in allegations of corruption and Russian interference. Meanwhile, local artists are currently being paid absolutely nothing.

Source: Under a New EU-Focused Copyright Law, Musical Artists Currently Earn *Nothing* * TorrentFreak